After the success of their self-titled EP in 2015, SHE MUST BURN are now unleashing their new material in the form of album Grimoire. Thankfully the album is the EP 2.0, more of the same blackened symphonic metal, but with more confidence. Overall, the album has the feel of The Great Fire era BLEEDING THROUGH, which is not a terrible thing at all. With a good deal of CRADLE OF FILTH and MOTIONLESS IN WHITE influences thrown into the mix, Grimoire will no doubt catapult SHE MUST BURN into the blackened metal stratosphere.
No black metal influenced album would be complete without an atmospheric opening, and Grimoire does not fail to disappoint in the form of Ritual, an unsettling piece of audio which is probably the aural equivalent of paranoia and pyromania. The Wicked soon blasts in with the band’s signature sound of ferocious drumming and the hellish screams of frontman Joseph Sinclair. Female vocals soon haunt the chorus, hinting towards the gothic masterpiece this album could become. This track sounds more like a glorious finale, but instead it plays its part as a spellbinding opener.
Sean Harmanis from MAKE THEM SUFFER guests on next track Gloom, which erupts into a deliciously morbid composition. Gloom is blackened metal personified; fast riffs, fast screams, even faster drumming, with a shroud of chaotic gloom (‘scuse the pun). A perfect example of the manic darkness SHE MUST BURN offer to the unsuspecting masses. Victoria is almost blackened hardcore if that’s even a thing, but it works so well. The shouty vocals along with the keys compliment each other beautifully, it shouldn’t gel but somehow SHE MUST BURN achieve it. The song also includes clean male vocals which demonstrates the band’s willingness to display their talent and influences. So far with Grimoire, SHE MUST BURN do not disappoint.
The melancholic piano in A False Heaven provides a calm interlude in the middle of the album. Beautifully haunting yet classical, it would be the perfect soundtrack for a gothic period drama, think Pride and Prejudice if the Bennet sisters had a penchant for the dark arts. This illusion is shattered when the machine gun drums of From The Grave blast their way into your consciousness. The song takes a few unexpected turns; with a more melodic stance in parts, a mellow mood seeps in before a progressive ending brings the track to a thumping end.
Album closer After Death is a culmination of all the elements previously heard on the album. The most dramatic song on Grimoire, it is a fitting finale with soaring vocals and triumphant riffs. Just like the beginning of the album, the track closes with an atmospheric end, so that when the last note of the piano resonates you’ll already be willing to play Grimoire all over again.