Since releasing their debut album Dreamcatchers in 2014, THE ROYAL have slowly been causing a stir in the European metalcore scene, and now hopefully with the band’s first label release Seven through Long Branch Records, this group of promising Dutchmen are set to take the scene by storm. Seven continues where Dreamcatchers left off, but things sound a lot sharper, more structured, and vocalist Sem Pisarahu has definitely found his vocal niche with this release.
To kick off proceedings, Thunder storms in with riffs galore, and soon enough we’re back amongst THE ROYAL’s safe clutches. With this opening track, the band’s confidence oozes through the speakers, with bold tones and an urgent presence, the song soon gives way to one of the album’s highlights, Feeding Wolves. Featuring Carlo Knöpfel of BREAKDOWN OF SANITY this song features a lot of exciting elements; elegant riffs which soon erupt into a crushing mass of tech riffery and catchy lines which are destined to be firm favourites for fans to shout along to. Unapologetically heavy, yet diverse enough to remain interesting, this track sets the milestone for the remainder of the album.
The third track, single, Wildmind maintains the band’s infectious energy and features one of the album’s most memorable riffs. It is becoming apparent THE ROYAL are definitely ones to watch, with their mix of a bruising foundation, topped by piercing guitars and crushing vocals. This variety is worked to create an interesting and unpredictable bag of metalcore. Creeds and Vultures surprises the ear with tech riffs that border on the djent, along with an unexpected acoustic middle-eight and a triumphant outro. A truly impressive track in terms of seamlessly mixing all these components together, THE ROYAL confidently demonstrate they are still unfazed by including acoustic and orchestral parts, as any fan of the debut album would be familiar with.
This continues with the piano opening of Counterculture, the second single taken from Seven. With a desperate message, the band storm their way through the song, once again with killer riffs and a hardcore attitude of camaraderie. A thought provoking song about the state of the world, this message has time to sink in during the album’s atmospheric interlude, appropriately named…Interlude. This is soon interrupted with the whirring riff of the title track, which is an example of the band’s leaning towards the more tech side of metal.
Life Breaker and Thalassa are chock-full of tech influences, with both songs of course containing signature killer riffs, you can just assume by this point that the remainder of the songs will also plentiful in the riffage department. Indeed, closer Viridian needs something special to offer to put the tech metal cherry on top of THE ROYAL’s metalcore cake. And it certainly delivers; a fast-paced, energetic number, it is the perfect counterpart to Thunder, nicely sandwiching all the riffs and screams between two solid tracks of THE ROYAL goodness.
A seriously blinding effort, Seven will hopefully propel THE ROYAL to the forefront of the burgeoning scene. It will be exciting to see what the future holds for this promising lot and how the band evolves for future releases.