Australia is gaining quite the reputation for quality metal acts; KARNIVOOL, VOYAGER, NORTHLANE, AVERSIONS CROWN…get the idea? Now you can add Brisbane’s AS PARADISE FALLS to that list too. The band who are proving to be an unstoppable force, faced a few setbacks while the recording of Digital Ritual, mostly the sudden passing of guitarist Glen Barrie in late 2015. Not only did the band have to regroup and support each other after his death, but the band were also more conscious about creating an album worthy of preserving Glen’s legacy. Produced by Shane Edwards (NORTHLANE, TROPHY EYES, HELLIONS) the band have achieved a solid album; a heavy tech record full of interesting nuggets here and there, with more grooves, beats, riffs and curious titbits than you can shake a stick at. Influenced by bands such as EMMURE and fellow Aussies THY ART IS MURDER and PARKWAY DRIVE, it’s no surprise Digital Ritual is an album which packs a punch.
The title track kicks off proceedings with a tense introduction, erupting into an instrumental banger with a smattering of electronic tinkles. Balance then completely blows the senses with its massive drums, ferocious riffs and the raw vocals from frontman Shaun Coar. One of the heaviest tracks on the album, Balance threatens the listener with what AS PARADISE FALLS are capable of.
The chuggy, EMMURE-ish riffs soon break way for the start of Star Blind. The lead single entices with its calming intro of blissful clean vocals but we’re soon back in business with a punishing riff to make sure you continue your way to the killer chorus reminiscent of AMORPHIS or even ORPHANED LAND. Once again, nothing prepares you for the switch in style for next track, The Ultimate Consumer. With a riff not too dissimilar to DECAPITATED’s Spheres of Madness, the song switches between mesmerising vocals and downright punishing metal.
Automated Sacrifice is a mish-mash of all sorts making it one of the more rewarding tracks on Digital Ritual. With the album’s best guitar solo and breakdown , this song also features more of Coar’s versatile vocals as well as more atmospheric flourishes which enriches the dynamic. A relentless groove greets listeners for Glory To The Server, but frequently breaks into djent moments with a SIKTH-esque edge.
A melodic opening to Reborn soon evolves into something reminiscent of a MALEVOLENCE groove but with an extra metallic crunch. This intensifies for Dead Message, an absolute stomper of a track. It’s becoming evident AS PARADISE FALLS pull off every style they play, but this also means they are lacking a sound which is distinctly theirs. Having said this, the material is strong enough and exciting enough to kick up anticipation to see how the band will progress. A very promising full-length, AS PARADISE FALLS should be on your radar.