GARGANJUA just might be one of Britain’s brightest doom hopes (oxymoron much?). With Through The Void, the Leicestershire troupe are hoping to cement their place in the metal scene, but after a few listens it’s evident GARGANJUA don’t just play slow, riffy metal. No, no, the band use PALLBEARER-style prog and KYLESA-esque sludge in their hotpot of doom.
The devastating, slow riff of Crushed Beneath The Tide launches the album into the brooding, dark mass it remains to be. A looming, yet triumphant break with the essence of PELICAN entices the listener before the crushing vocals demolish the mood. The clean vocals are strangely mesmerising, with the backdrop having a nostalgic doom tone. As expected, the song is a slow burner but unlike some repetitive instances of the genre, GARGANJUA keep it interesting with a tweak in dynamic every couple of minutes or so. The finale of Crushed Beneath The Tide comes full circle with the satisfying mirroring of the beginning of the track.
A bold guitar tone introduces the next track Adrift, but it is the verse which I find the most interesting. The vocal melody and distorted guitars make my mind hark back to the melodic moments of DEVIL SOLD HIS SOUL and HE IS LEGEND, although this is most likely not GARGANJUA’s intention to remind me of post-hardcore, this is what I mean when I said the band can’t be easily pigeon-holed as doom. What is exciting is everyone will hear different elements and make their own comparisons, enabling GARGANJUA to crossover a spectrum of genres. The doom does return in abundance though, with whispers adding to the darkly dulcet tones before the pace slows down a few notches.
The album’s title track is arguably the standout song on Through The Void. The riffs, tone and melody create a spellbinding ambience. There is something about the heaviest parts of the songs which are reminiscent of the heavier end of progressive metal, such as CULT OF LUNA and Silhouettes-era TEXTURES, making Through The Void the progressive doom you’ve been dreaming of. The track is one epic, heartfelt journey, one you will have to listen to yourself to understand the colossal atmosphere GARGANJUA conjure.
Only four tracks in 45 minutes, A Distant Shore signals the end of Through The Void. This song needed to be a fitting conclusion to an ambitious album, but for the first half of the track I wasn’t convinced it would be a suitable finale. But suddenly A Distant Shore shifts into an acoustic wonderland with strings and a sombre tranquility. This is all before it is whipped from under your feet in a climatic sense of closure. The distortion and riffs continue like a soothing pat on the back after a monstrous feat.
Through the Void is most certainly a grower. GARGANJUA are one of those bands with heaps of potential, a group you hope will mature into an unpredictable beast of metal. If you’ve been observing from a distance, it’s probably time to creep closer before GARGANJUA leap ahead of the pack.
GARGANJUA are currently running a Pledge campaign to raise funds to release Through The Void on vinyl. If you would like to know more or would like to pledge then more information can be found at https://www.pledgemusic.com/projects/garganjuavinylpledge