Good Tiger – We Will All Be Gone

Release date: 9 February 2018. Label: Blacklight Media/Metal Blade.

It’s not easy to pigeonhole GOOD TIGER, and that’s part of their appeal. While listening to second album We Will All Be Gone, one word does spring to mind – nostalgia. With its emotive melodies, lyrics and riffs, you just can’t help but be reminded of bands like CIRCA SURVIVE. GOOD TIGER no doubt would appeal to the teenagers of a decade ago, but they also have a progressive factor, thanks to featuring ex-members of TESSERACT, THE FACELESS and THE SAFETY FIRE amongst others. If SAOSIN had a love child with SKYHARBOR, then it would probably sound like GOOD TIGER. Dripping in blissful melodies and warm, fuzzy feels We Will All Be Gone is is a beautiful follow-up to 2015’s stunning debut A Head Full Of Moonlight.

Things blast off with an energetic start with The Devil Thinks I’m Sinking with Coleman expertly executing THOSE highs. Like the last album, there is a hint of HE IS LEGEND with those edgy grooves. One of the best tracks on We Will All Be Gone, this is an absolute killer of an opener. This is followed by the mesmerising Float On which is one of those songs that reminds you of simpler times. There is something about the chorus…something very warm and comfortable…that…sound. This sound shouldn’t work in 2018, but it does and it sounds as fresh as ever.

Such A Kind Stranger has a bit of an old school pop punk vibe, but with an intelligent approach in the same vein as THE AUDITION, or the slow tempo moments of EMANUEL. The twinkling guitars make GOOD TIGER sound so damn shiny, along with the organic feeling of the production completing their irresistible compositions. This shiny, organic goodness continues in Blueshift, an exciting track of slow burning verses with intense choruses (think PVRIS). It would be deceiving to say GOOD TIGER are upbeat, as there are a lot of brooding moments on the album, but there is a strong pulse of strength and positivity running throughout.

Halfway through We Will All Be Gone we are rewarded with two of the strongest tracks of the record; Salt Of The Earth and Grip Shoes. The former is already a contender for best chorus of 2018. You can see it now, everyone trying to sing along but either ending up shouting or going massively out of tune. Further proof Elliot Coleman needs to be recognised as one of rock’s most talented vocalists. Grip Shoes is an absolute shimmering stunner of a track. It’s what you would imagine a proggy TAKING BACK SUNDAY would sound like – bloody wonderful. The glorious and spine-tingling middle eight once again will remind you of the heart-wrenching melodies of CIRCA SURVIVE, but GOOD TIGER collapse into such a melodically heavy state, they’re well on their way to being the King’s of progressive-post-hardcore-rock-emo-metal-whateveryouwannacallit.

The prog shines through on Just Shy; the verses could easily fit on a CALIGULA’S HORSE track. Chilled vibes with vibrant bass charms the listener before another killer chorus storms in. This song is anything but shy. The same goes for Nineteen Grams, which is another delight for the ears. The pop-rock sound is strong with this song, giving an indication that GOOD TIGER could easily smash into the mainstream. The band calm down a bit in the short but sweet Cherry Lemon, a shoegazey wonder which the likes of MY VITRIOL would be proud of. With this track GOOD TIGER prove that it is not just Coleman who is the most talented member. Drummer Alex RĂ¼dinger demonstrates his technical ability with his tight beats, and guitarists Derya Nagle and Joaquin Ardiles remind fans of when they first fell in love with them in THE SAFETY FIRE. The ending of the track fizzles out in an OPEN HAND-esque haze. Blissful and mesmerising.

This bliss sees us through until the end, with album closer I’ll Finish This Book Later. The hushed beginning sounds very JONAH MATRANGA; wonderful and mature like your favourite cave-aged cheese. The epic finale brings We Will All Be Gone to a soaring close. A suitable ending for a pretty spectacular album. GOOD TIGER might boast some of progressive metal’s brightest talents, but this second album should hopefully mark the beginning of recognising the band as an important influence on modern metal. 2018 could very well be the year of the tiger.

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