The Danes sure have their finger on the pulse of metal these days, with the likes of GHOST IRIS and VOLA, but now an expulsion of the darkest matter is spreading from Copenhagen. This darkness goes by the name of CABAL, a band who sap all the doom and evil from black metal, death metal, djent and hardcore and mutilates it further to forge its own hybrid of brutality. CABAL will unleash this brutality in the form of their debut album, Mark Of Rot, the follow-up to their critically acclaimed EP Purge.
The rot begins with False Light, a raw and chuggy dark mass of metal. CABAL start as they mean to go on. Expelling the evilest of filth, it snuffs the flame of any hope or optimism you may possess. A blackened masterpiece ensues with Nothingness; an organ from Hell resonates before blastbeats and black metal riffs rip the breath from you. Featuring the vocals of THY ART IS MURDER’s CJ McMahon, you can guage the putrid violence this track belches. Much like the title of the song, you feel the spiralling void of nothingness threatening to consume you.
Blackened Soil is a bit of a ballsier affair. Throwing a myriad of styles in the air and constructing a song with the order of whatever plummets to the ground first, is the best way to describe this track. Beginning on the techier end of the spectrum, an eruption of hardcore occurs before a theatrical black metal break. All the while, blackened deathcore and the heaviest djent lurks round every corner, a morbid delight for the ears. This can also be said for the next offering, Rah’Ru. Starting like an opus by FLESHGOD APOCALYPSE, the atmosphere builds and endures during these four minutes of intensity.
Halfway through Mark Of Rot we are exposed to the devastating Empty. Two and a half minutes of terrifying ambience and the doomiest and blackest riffs, the brooding darkness is stifling. It demonstrates how CABAL can carry the weight of its menace in an instrumental. The vocals spit venom with avengence in Unworthy however, commanding your attention and willingness to obey.
The pace quickens with Blinded, a suffocating track of constant assault. Relentless in its attack, when you think you can make a break for it, you’re dragged back to the depths by its monstrous breakdown. The song seems to merge into the next track, Whispers; a curious mixture of tech, black metal, hardcore, all cut up and meshed together like some sort of Frankenstein’s monster.
Birds crow at the start of The Darkest Embrace; an unsettling yet groovy effort. The crowning glory is the guest vocals of Filip Danielsson from HUMANITY’S LAST BREATH. Much like Danielsson’s band, this song is spine-crushingly heavy. With its whirring riffs and atmospheric flourishes, it’s an absolutely massive beast. It has an air of SHOKRAN halfway through but it once again burrows into the depths of djent. An absolutely colossal track, Danielsson brings an extra layer of darkness to CABAL’s gloom.
This all leads up to the spectacular climax of Mark Of Rot – its title track. This is an epic finale of disturbing layers of sound and punishing vocals. It deceives you with its simplicity but it once again catches you off guard with its unnerving instrumentation. Fading out with an eerie shroud of doom, you may find yourself turning on all the lights once CABAL’s ritual is complete. This album is not for the faint hearted.