Midas Fall – Evaporate

Label: Monotreme Records. Release date: 27 April 2018.

The long, dark nights of winter are hopefully behind us…but it’s almost a shame as MIDAS FALL would be the perfect soundtrack to a cold, crisp night. Elizabeth Heaton and Rowan Burn are the masterminds behind this Scottish duo and they are a prime example of less is best. There is a beguiling sense of enchantment with fourth album Evaporate. You scuttle to the edge but are quickly absorbed into the chilling beauty of Keaton’s vocals and the progressive post-rock soundscapes.

The album opens with the mesmerising Bruise Pusher which really captures the heart early on. The dark broodiness reminds me of AEREOGRAMME’s Nightmares and a little of A Warm Place by NINE INCH NAILS – you know, that glorious sprawling texture that sounds like an oncoming storm. The atmosphere is stifling yet has a deceiving simplicity to it. Keaton’s vocals are perfection and it sounds like she is potentially a more talented vocalist than she lets on. This somehow adds to the duo’s charm and mystique.

The title track is another strong song, starting with strings before some tasty synth. Their pulsating electronics are reminiscent of a more reserved ZOMBI or the soundtrack of AXIOM VERGE. Keaton’s voice drives the song but it is the rumbling bass and piano motif which hypnotizes the listener further. In Soveraine it is Keaton who dominates. It is a low-key affair but we can fully appreciate the range of Keaton’s vocals in this track, from her whispers to her bolder projections. It’s a stunning piece.

Glue has to be one of my favourite songs on Evaporate. The heartfelt lyrics and beautiful melodies are accompanied by super slick instrumentation and spectacular electronics. It is probably the ‘poppiest’ track on the album with its lyrical content, but it is one of the more memorable ones. An absolutely gorgeous song it is now coupled with an equally attractive, animated music video. After the groovy electronics of Glue, next track Sword To Shield is a reserved and modest affair. The opening melody reminds me of Carl Espen’s Silent Storm (yes, the Norwegian Eurovision entry in 2014, and yes, it is a compliment) which might give you an indication of the hushed tones and intricate melodies on display in Sword To Shield. There is more orchestration too which adds to the beautiful and serene tones.

Dust And Bone has a glorious, nostalgic tinge. A bit of 80s/90s vibes with a bit of Bjork and Madonna thrown in. It’s another brooding track with post-rock undertones, ending on a high with instrumentation which wouldn’t sound out of place on albums by 65DAYSOFSTATIC or MAYBESHEWILL. It is more of an acoustic affair on Awake with the guitars sounding like aural equivalent of the first glimpses of sunlight through the canopy of a forest. This track has another old school vibe to me, sounding like a hushed FLEETWOOD MAC or a shy Kate Bush. The quieter moments of MIDAS FALL are often the most outstanding.

The same can be said for In Sunny Landscapes which could be a spectacular finale for a folky album. It just grows and grows into a beautiful bloom, shining in the sunlight. Keaton truly shines here. Burn’s twinkly guitars and the piano and cellos create an irresistible, uplifting mood, it is a delight to the ears. The mood shifts dramatically in Lapsing; a dark horse of a track, it could end up being a favourite for some. With PORTISHEAD vibes, Keaton sounds like she is singing on an über cool Bond soundtrack. It’s an incredibly mesmerising song, with its modest beginning to its melancholic hooks. An absolutely dark gem of a track, it’s one I keep returning to again and again.

Unfortunately, we’ve already reached the finale of the album, Howling At The Clouds. It has echoes of the earlier tracks of the album, bringing Evaporate full circle. It has a brooding expanse with post-rock components, along with synths and spellbinding melodies. MIDAS FALL are pretty hard to pigeonhole, but that’s part of their charm. Definitely on the NORDIC GIANTS end of ‘metal’, MIDAS FALL are one of those appealing crossover bands that you can rely on when you’re craving something a bit calmer. Evaporate is a charming masterpiece, both chilling and warming. It’s got enough interesting dynamics to make you return time after time.

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