This roundup is a tricky one because I don’t want to write too much before my album of the year list. I’ve kept it simple for this one, my usual top 3 albums of the month but I’ve also added an artist spotlight about one of my favourite bands who released their long-anticipated new album earlier in November. Check it out! There won’t be a roundup in December as you will be treated with my album of the year post. Stay tuned.
Metalmance Top 3 Releases of November
COLD NIGHT FOR ALLIGATORS – Fervor. Release date: 9 November 2018.
You might remember I featured these Danes in my September roundup when I chatted about their single Canaille. This track seemed a little more melodic than their last album Course of Events, but when you give Fervor a chance you discover the band haven’t lost any of their brutality, but instead sound a lot more mature and quite unique. The album boasts the band’s progressive songwriting abilities, but it is hard to ignore one of the major selling points of COLD NIGHTS FOR ALLIGATORS is their immensely talented vocalist Johan Pedersen who really does push himself with this record. Add this to the band’s forward-thinking metal and you’re onto a winner. I’ve been saying it all year, but there really must be something in the water in Denmark judging by the quality of metal bands emerging this year, now you can add COLD NIGHT FOR ALLIGATORS to the ever-growing list.
NIGHT CROWNED – Humanity Will Echo Out EP. Release date: 30 November 2018.
Featuring ex-members of bands such as DARK FUNERAL, THE CROWN, NIGHTRAGE and CIPHER SYSTEM, you can probably gauge the high calibre of blackened death metal newbies NIGHT CROWNED conjure. Debut EP Humanity Will Echo Out three tracks of blackened perfection. The ferocity and intensity of this incredibly short EP is astounding. It’s one of those darkly magical releases that leaves you absolutely gagging for more – three tracks is nowhere near enough. If you’re left winded after this short EP, just imagine what impact their debut full-length is going to have. Bloody hell. You can read my full review of Humanity Will Echo Out by clicking on the link below.
VOICES FROM THE FUSELAGE – Odyssey: The Founder of Dreams. Release date: 9 November 2018.
Back in 2016, progressive alternative outfit VOICES FROM THE FUSELAGE released the stunning Odyssey: Destroyer of Worlds. This month the band from Northampton released the second instalment, Odyssey: The Founder of Dreams. One of the most striking elements about this album is the inclusion of more cinematic moments. The first album was quite dramatic but this album takes it to the next level and sounds positively stratospheric in places. An example being the album opener Via and its epic break in the middle. Songs like Life on Titan has a mild orchestral feel giving their music an extra kick when things lull into too much safety. What I like so much about Odyseey: The Founder of Dreams is it has a bit more oomph! compared to its predecessor. First single Nine Levels hinted that this would be so, and the album doesn’t disappoint.
This month also saw the release of the long awaited new album by American technical death metal crew ARSIS, titled Visitant, and for me personally this album has been an excruciatingly long wait. The band have always seemed a bit of an elusive entity to me. None of my friends had heard of them at school, let alone listened to them and liked them, but since the rise of online metal communities I’ve learned I’m not alone and the band’s fanbase is in fact, huge. It all started way back in 2005 when I heard their song Maddening Disdain on a record sampler released by their former label Earache Records. I hadn’t heard anything like the technical metal they wrote and it’s awesome to now see them recognised as one of the fathers of the genre. Back then you couldn’t really stream music so it took me years to listen to their debut album A Celebration of Guilt, which Maddening Disdain is featured on. It’s only until now I actually own the CD! If you know me or follow me on Instagram then you’ll know I always prefer buying physical copies of albums, but to the extreme I have to buy it in person and not online. So I always thought I’d never find A Celebration of Guilt in the flesh until by surprise I found the CD for sale at a stand at this year’s Damnation Festival. I already owned 2008 album We Are The Nightmare (I bought it on a whim in HMV when it came out as I was still pining for a copy of their debut) so now I feel like I can finally start to complete my ARSIS collection. It took a couple of spins for Vesitant to ‘click’ but I’m immensely pleased they’re back with a killer record. It’s reassuring to hear the band haven’t watered down their sound at all, and with contempories such as REVOCATION and GOROD also releasing brilliant albums this year, ARSIS have made 2018 the year of the return of technical death metal.