Metalmance’s Top Releases of 2018: 10 to 1

The final 10. The all important No. 1.

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Here it is! My final instalment of Metalmance’s Top Releases of 2018. Thanks for joining me on my Top Releases of the Year journey, it’s been fun! I won’t delay you any further, I’m sure you’re dying to know who has won my top spot! You may proceed. See you next year!

10

NIGHTMARERCacophony of Terror

One of the heaviest, darkest, most terrifying releases of the year, I’ve been besotted with Cacophony of Terror by NIGHTMARER since its release back in March. The dissonant tones and insanely heavy riffs are what keeps me coming back again and again. The seamless transition between opening track The Descent and Stahlwald has got to be one of my favourite album moments of 2018. These two tracks together are mindblowing and the ridiculous riff and crushing atmosphere in the latter will leave you chuckling at just how heavy NIGHTMARER are. Read more of my [dark] thoughts on Cacophony of Terror in the roundup below.

Roundup – May 2018

9

SKYHARBORSunshine Dust

It’s been a strong year for progressive metal releases and one big surprise this year has been SKYHARBOR’s new album, Sunshine Dust. Usually TESSERACT and MONUMENTS lead the way in the progressive metal/djent scene, but for me SKYHARBOR have risen high above the rest this year with their new release. New vocalist Eric Emery plays a big part in this with his terrific warbles, but the songs as a whole are more focussed and melodic compared to their previous releases. Standout tracks Out of Time, Synthetic Hands and the phenomenal title track will leave you dreaming for days. Fantastic stuff. Read my full review via the link below.  

Skyharbor – Sunshine Dust

8

ABORTEDTerrorVision

The Belgian death metal/grindcore Kings are back and with TerrorVision, their 10th studio album, they’ve unleashed their most blackened release yet. TerrorVision is everything I wanted the new BEHEMOTH to be. ABORTED have achieved an album so punishing, so unforgiving, so relentless it is a ferocious ride from start to finish. It’s amazing how something that sounds so polished can still sound extremely brutal and I think that proves the beastly talent of these Belgians. 

7

WITHIN DESTRUCTIOND E A T H W I S H

There’s a mad genius to D E A T H W I S H, the third album by Slovenian deathcore/slam band (there I’ve said it) WITHIN DESTRUCTION. This album is exceptionally brutal but it’s executed remarkably well making it an incredibly enjoyable listen. You know it must be a good record if Unique Leader Records picked the band up after the album was released in March. The title track is a slab of perfection, with brilliant guest vocals by VULVODYNIA’s Duncan Bentley. The pace, the riffage, the aural assault of the track is superb and sets the tone for the remainder of the album. Tracks like Extinction and Darkness Swallows Life demonstrate the awesome vocal talent of the band’s frontman Rok Rupnik, but I find penultimate track Death Awaits Us All is their most mature offering on D E A T H W I S H. The darkness of this song is suffocating and guarantees an enthralling listen. Do not ignore this album.

Roundup – April 2018

6

VOICES FROM THE FUSELAGEOdyssey: The Founder of Dreams

When I first listened to Odyssey: The Founder of Dreams and included it in my last roundup, I quite liked it but I didn’t realise how much I’d end up loving it and having it on repeat since. When this album clicked after a few listens, the sheer brilliance of the songwriting and lyrics was completely overwhelming. The delicate riffs and considered components of each song results in an absolute winner of an album. It’s rare to hear a record with not only heart-wrenching lyrics, but vocals too that make you believe every single the word. On this album, vocalist Ashe O’Hara ensures listeners feels the pain, the hope, the despair, the passion. It’s an unforgettable rollercoaster and singles Nine Levels and Vestibule of Hell are surprisingly heavy which fills out the album to be the perfect package. The real deal.

Roundup – November 2018

5

HARM’S WAYPosthuman

This is the CD I’ve played the most in my car this year; beefy, bold and hella heavy, no I’m not just describing HARM’S WAY frontman, I’m talking about how Posthuman is one of the most brutal records on the planet. Released way back in February, this album is guaranteed to make you pull the filthy riff face. For months nothing surpassed this record for me, and no matter how many times I listen to it, it never loses its punch. It’s not just any hardcore record though, no no, the industrial elements of tracks such as Last Man and the powerviolence thread that runs throughout makes Posthuman stupidly addictive to return to.

Roundup – April 2018

4

VOLAApplause of a Distant Crowd

I absolutely adore VOLA’s first album InMazes so I’m ashamed to admit my expectations weren’t too high for their second album as I thought it wouldn’t match its predecessor. How wrong I was. Applause of the Distant Crowd blows everything VOLA have previously done out the water. Thankfully the band have dropped most of the djent and have released one of the best progressive records of the year. With this album, the band have shown the world how good they are at creating stunning soundscapes. Applause of a Distant Crowd shimmers with dreamy notes and haunting vocals. There are still lots of heavy lil nuggets and surprises along the way. For me the best moment of the album is the KATATONIA-esque Still, which is an utterly mesmerising track. The songs Alien Shivers, Ghosts and Smartfriend are some of the best singles of the year, yet the album is still full of stunning moments. Believe the hype.

3

AVASTMother Culture

I know what you’re thinking. Who?? Who are AVAST? In October I reviewed the Norwegians’ debut album Mother Culture and I’ve been slightly obsessed ever since. 2018 has seen the rise of blackgaze bands and AVAST are still extremely new on the scene but my word, they’re one of the most intense and blissfully beautiful blackgaze bands around. On the more black metal end of blackgaze than shoegaze, the songs sound like WINTERFYLLETH if they gazed at their shoes a bit more. The mesmerising soundscapes AVAST also produce are captivatingly beautiful, if I listen to this album I have to make sure I’m not doing anything else. This album requires your full attention and concentration. I don’t want to say too much more about it as my full review below and the album as a whole speaks for itself. But promise me you’ll check it out, it’ll be one of the best things you do this year.

Avast – Mother Culture

2

EXOCRINEMolten Giant

After WITHIN DESTRUCTION’s D E A T H W I S H came out I wasn’t sure there was enough room in my life for another monster-themed album this year. I was wrong…again. French progressive death metal group EXOCRINE entered my life with their blistering new album Molten Giant and I haven’t looked back since. What I like about EXOCRINE is they leave all the bullshit out and get on with it. Molten Giant is a superb accomplishment and each song is of the highest calibre of prog death. It’s been fantastic to see the band really gaining momentum in the tech and prog death scene, and rightfully so. Tracks such as Scorched Human Society, Backdraft and Flamewalkers really showcase just how technically magnificent and brutal EXOCRINE are. Congratulations to EXOCRINE on releasing my favourite death metal album of 2018!

Exocrine – Molten Giant

1

MØLJord 

Here it is! My album of the year. I’m sure this doesn’t come as a shock to most of you considering I’ve been singing the praises of MØL since they released their debut album Jord back in April (I may as well change my name to Mølmance while I’m here). Throughout these Top 40 Releases of 2018 posts I’ve mentioned how my wanting to return to albums has been a factor in where I’ve ranked releases. Jord is the opposite. Jord is one of those albums where you savour every listen and limit yourself to how often you experience it so you avoid becoming bored of the record or over listening to it. Below you can read my full review of the album as well as my interview with the band which they did before their very first UK show at The Black Heart, Camden.

At first I wondered if it was just me who felt an over-emotional response to Jord, but after seeing other people’s reactions during the year and seeing the band fill the room to the brim at Damnation Festival, it’s safe to say I’m not alone. There is something truly special and unique about MØL. From their powerful blackgaze tunes and their mesmerising sound, to their phenomenal live show (it’s becoming legendary) the band are storming on all fronts and remaining humble with it. They get the balance between black metal and shoegaze just right, resulting in stunningly deep textures and soundscapes. I could rave on all day about how much I admire this band but an analysis will never do their music justice. Jord isn’t just an album, it is an experience. Jord is my Top Release of 2018.

Møl – Jord

INTERVIEW: MØL


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