This is going to be one of the best things you’ll hear all year. Unless you’ve been sleeping under a rock these past few years, you will already be familiar with the extreme progressive metal of CONJURER and the post-rock brilliance of PIJN. Both bands are British stalwarts in the metal community and are part of the staggering roster of Holy Roar Records. Last year, members from both bands created the group CURSE THESE METAL HANDS for the 2018 edition of Arctangent Festival and now the songs they wrote are being released for the first time. The four tracks have been reworked and the result is stunning.
Aptly named first track High Spirits is nine minutes of pure bliss. Light and bright twinkles like the first sighs on a Spring morning. You can feel everything coming to life. Each component is slowly waking and finding their voice. Finally it all erupts into a terrific post-rock crescendo. A wonderfully raw yet perfected sound is tipped over the edge by vocals and the ferocious riffage. If the beginning was a Spring morning, the second half is the chill and darkness before a storm. The sound is resoundedly British, harking back to the days of the delicate tones of MAYBESHEWILL, the intensity of TALONS and the atmospheric passages of the much-missed AEREOGRAMME. If Curse These Metal Hands only consisted of this track, it would still be one of the best records of 2019.
The Pall begins with a slow build-up in the same vein as BATTLES or 65DAYSOFSTATIC before it boils over into a full bodied riff. The introduction of the shoegazy riff has tremendous effect, providing clarity to the short notes before all sense is obliterated by the thunderous vocals. Quiet eventually ensues with a brooding ambience. The track breaks with an atmospheric riff (bordering on IHSAHN-esque) which soon becomes triumphant. This section with the desperate vocals moves into blackgaze territory with the outro returning to triumph, ending the song on a high after moody dips into darkness.
Endeavour bursts in with a bold riff the likes of KYLESA and BARONESS would be proud of. The tumultuous vocals bring an air of CURSED to the chaos. The shortest song on the record (just over two minutes) it is also one of the most impactful, with its gloomy tone and monstrous riffs. Sludgy yet effective at the same time, Endeavour packs a punch before the finale Sunday closes proceedings. Warm tones and delicate notes beckon the end with an air of The Fire in Our Throats Will Beckon The Thaw-era PELICAN surrounding the intro. The dreamy riffs entwine with the storming vocals and atmospherics with colossal effect. Triumph returns with the powerful vocals and robust riffs. Featuring the only clean vocals on Curse These Metal Hands, they provide a crystalline conclusion to this phenomenal closer.
The only downside to Curse These Metal Hands is the uncertainty of a second record of material being produced. This does however, make this body of work that little bit more precious. A unique and beautiful slab of metal by two of our finest exports. The record will daze and stun for many years to come before becoming legendary.