Metalmance's Top 20 Albums of the Decade

20 of the best albums from 2010-2019.

Album of the Year lists aren’t enough this year. 2019 heralds the end of one of the best decades of metal. Emerging genres have really come to the fore in the past ten years (blackgaze anyone?) whereas we’re all surprised at how metalcore has survived and evolved. With technology advancing, the decade has also seen different consumer habits as well as advances in music technology as a whole. But that’s enough faff and chat. Without further ado, behold my Top 20 Albums of the Decade!


 

20. ORPHANED LANDAll Is One. Release date: 24 June 2013.

I’ve always enjoyed oriental music but hearing it in a metal context was a phenomenal concept to me. When I finally checked out Israel’s ORPHANED LAND I fell in love immediately. To me, they’re still the best ‘oriental metal’ band out there. They mix traditional instruments, metal elements and heartfelt messages so seamlessly it’s hard not to fall under their spell. All Is One is a superb example of the epic anthems they create to help reunite people of all faiths, race and genders. Tracks such as the title track, Freedom and Children emphasise their mission, all the while keeping tracks catchy and heavy. A must-listen for all.


 

19. SLEEPING WITH SIRENSFeel. Release date: 4 June 2013.

Now before you close this post and avoid my blog forever, hear me out here. Every track on SLEEPING WITH SIREN’s Feel is absolute gold. There’s a song for every occasion and emotion and it beckoned the start of their retreat from poisonous emo-pop-punk to the boring rock music they create today. With Feel they get it just right. Personally for me, this album dropped at a huge transitional period of my life so tracks such as Free Now, Congratulations and Satellites became anthems of this time. It’s not only teenagers who relate to Kellin Quinn and co. and their lyrics are more honest and relatable than many of their peers (FALLING IN REVERSE I’m looking at you).


 

18. TESSERACTOne. Release date: 22 March 2011.

I just had to include something by TESSERACT in this list. It was a tough choice between One and Polaris, but I chose One in the end as it was unlike anything I had heard in the metal world. Yeah there was PERIPHERY as well but for me, TESSERACT had a little something extra…mainly the vocal expertise of Daniel Tompkins. The first track I heard was The Impossible – Concealing Fate Part. 3 and I will never forget its melodies, djent and overwhelming atmosphere. In a way One signifies the innocence of the beginning of the djent genre before it became oversaturated by awful bands and copycats. Today it’s evolved into a whole new progressive metal beast but it’s good to look back on One and see how far metal has come.


 

17. AVASTMother Culture. Release date: 26 October 2018.

This decade saw the rise of blackgaze as a genre and it is one of the best things to have ever happened for metal. Mixing black metal and shoegaze to create highly emotive extreme metal is a dream come true. Only a handful of bands are getting the formula right and Norway’s AVAST is one of those bands. Last year’s debut album Mother Culture is a superb example of the heavier end of the genre. Tracks such as the title track and The Birth Of Man show some of the best that AVAST have to offer, but their instrumental tracks also trigger a strong emotional response. Powerful, climatic and devastating, Mother Culture is an important album.


 

16. MOTIONLESS IN WHITEReincarnate. Release date: 15 September 2014.

reincarnate

Metalcore is alive and well and MOTIONLESS IN WHITE have helped the survival of the gothic strain of it. Reincarnate saw the band at their most industrial, experimental and arguably…their catchiest. The guest features on this album are spot on, with the likes of Dani Filth, Maria Brink and Tim Skold making Reincarnate a goth’s wet dream. There is absolutely no filler on this album like a lot of their others, with tracks Break The Cycle and Wasp being some of the best keyboard-led metalcore for years. Now if only MOTIONLESS IN WHITE took the blueprint for The Final Dictvm for the latest albums…


 

15. TIMES OF GRACEHymn of a Broken Man. Release date: 18 January 2011.

I am one of those fans who think the new Jesse Leach-era KILLSWICTH ENGAGE has never surpassed what Leach and Adam D achieved with Hymn of a Broken Man. Yes, TIMES OF GRACE was always meant to be a more melodic and honest project, and remember Howard Jones was still in KILLSWITCH ENGAGE at this point, but Hymn of a Broken Man is one of the most beautiful albums created this decade and few have surpassed its melodic prowess. Live in Love, Where The Spirit Leads Me and Willing are some of the most stirring metal tracks this decade has seen. It’s just a shame the duo decided to lead the album with one of the weaker tracks, Strength in Numbers. Let’s hope they release a new album next year.


 

14. 65DAYSOFSTATICWe Were Exploding Anyway. Release date: 26 April 2010.

65dos

We Were Exploding Anyway was everything I wanted from 65DAYSOFSTATIC. The Sheffield post-rockers have always pushed the boundaries of the genre and have created the most phenomenal sounds. With this album, the band were their most ‘dancey’ and it even saw the inclusion of vocals on Come to Me, but they were very cleverly sliced and used as samples. Mountainhead, Crash Tactics and Piano Fights are some of the most genius songs 65DOS have written and the album as a whole is a delight from start to finish.


 

13. BLEEDING THROUGHThe Great Fire. Release date: 31 January 2012.

The Great Fire

Before the Orange County crew split up in 2014 (and reformed in 2018) the metalcore darlings dropped one of their finest albums to date, The Great Fire. This glorious slab of brutality incorporates every genre that BLEEDING THROUGH can execute so well, metalcore, hardcore, punk, black metal, melodic death metal…tracks like Goodbye To Death and Everything You Love Is Gone are perfect examples of their melting pot of styles. No metalcore band have achieved this again.


 

12. ABORTEDRetrogore. Release date: 22 April 2016.

retrogore

I must admit I was a bit late to the ABORTED fandom, but once I finally got there I was besotted. Retrogore was my first exposure to the Belgian death metallers and it’s still my favourite. Everything just seems to gel on this record and the blackened elements which play a big part on 2018’s Terrorvision come to the fore on this record. Termination Redux and Divine Impediment are brutal gems, dark death metal at its best. The band aren’t showing any signs of slowing down, constantly evolving to remain one of the most terrifying bands out there.


 

11. NORDIC GIANTSA Séance of Dark Delusions. Release date: 20 April 2015.

nordic giants

NORDIC GIANTS are always best to experience live, but 2015’s masterpiece A Séance of Dark Delusions brilliantly captures the intense material this post-rock duo create. The guest vocalists on this album are all outstanding with standout tracks being Dissolve (with SATURDAY SUN), Rapture (with Beth Cannon) and the superb Futures Dark (with Nadine Wild-Palmer). Each tracks tells its own story and every track with vocals could easily be a radio hit, making NORDIC GIANTS your favourite secret.


 

10. EIGHTEEN VISIONSXVIII. Release date: 2 June 2017.

XVIII

C’mon you knew EIGHTEEN VISIONS were going to make an appearance. This was the comeback of the decade for me. In true 18V fashion, their comeback album XVIII sounded unlike anything they have recorded before. The throwback references to earlier material (film samples, insects buzzing and the objects in the artwork) create a nostalgic record which still bludgeons you with modern, crunchy metal. Songs such as Oath and Live Again are the perfect tributes to the band’s roots and their late bassist Mick Morris (RIP). This is definitely an album for the loyal fans, but any lover of heavy, crushing metal will equally enjoy this album.


 

9. SOILWORKThe Ride Majestic. Release date: 28 August 2015.

soilwork

The kings of melodic death metal, SOILWORK seem to get better with age. The Ride Majestic is a sublime album by the modern version of SOILWORK. This is an absolute belter from start to finish. Some old school fans look down on it for not being Natural Born Chaos 2.0, but this album is the full package. The vocals, lyrics, instrumentation, flow of the album are outstanding. When their peers are crashing and burning, SOILWORK have evolved and grown to be the melodic death metal darlings they are today. The title track, Death In General and the stirring finale Father and Son, Watching the World Go Down are some of my favourite songs of the decade. The fact that the band are still going strong is a blessing.


 

8. BLACK CROWN INITIATE Selves We Cannot Forgive. Release date: 22 July 2016.

blackcrowninitiateselves

Selves We Cannot Forgive was my first ever Album of the Year when I started this blog back in 2016. It has stood the test of time and cemented itself as one of my favourite progressive death metal records of all time. There has been a surge of progressive death metal bands in the past few years and BLACK CROWN INITIATE remain one of the best. This album exhibits the best aspects of the genre, with tracks such as Belie The Machine and For Red Cloud providing the brutality, and the title track and Again providing the soaring melodies. This album has it all.


 

7. DYSCARNATEAnd So It Came To Pass. Release date: 27 February 2012.

and so it came to pass

DYSCARNATE’s last album With All Their Might topped my AOTY list back in 2017, but I couldn’t have two of their albums in my top 20 of the decade so I’ve opted for their phenomenal second album And So It Came To Pass. If you’re still unfamiliar with this death metal trio (yes, they’re a trio and still heavier than most bands) then you are seriously missing a trick here. A band haven’t been this brutally groovy since…well…forever. And So It Came To Pass is a tremendous example of this, with The Promethean, In The Face of Armageddon and A Drone In The Hive bringing the hardest bangers of the album. Fingers crossed there will be a new album in the new year!


 

6. DREAMSHADEThe Gift of Life. Release date: 25 January 2013. 

gift of life

DREAMSHADE are always such a treat. These Swiss metalcore lovelies are still relatively unknown yet every album is an absolute blinder. 2013’s album The Gift of Life saw the band hit their stride. Photographs, Your Voice and Consumed Future are some of the best metalcore tracks you haven’t heard yet. Not only do DREAMSHADE write catchy songs but somehow their riffs are hella catchy too. A super slick and polished beast, DREAMSHADE are currently working on a new album and it promises to be another stellar effort.


 

5. DISTORTED HARMONYChain Reaction. Release date: 9 July 2014.

chain reaction

Discovering DISTORTED HARMONY was one of the best things I did in the past few years. Their progressive metal is fuelled by melodies and heart. Their second album Chain Reaction has just the right amount of technicality and melody to make it a beautifully balanced record. The charm and passion oozes out of this record with tracks such as Every Time She Smiles, Hollow and Natural Selection being some of the most stirring. With the ever-growing prog metal scene it takes something special to standout from the rest of the pack these days, these guys have got it.


 

4. MAYBESHEWILLI Was Here For A Moment, Then I Was Gone. Release date: 30 May 2011. 

maybeshewill

So this is my third and final post-rock album in this list. I Was Here For A Moment, Then I Was Gone is my favourite of them all, for a number of reasons. The main one being, the album triggers the biggest emotional response of any album without vocals. It demonstrates the sheer, emotional power that rock instruments have. The melodies and climaxes are sublime, there’s no other post-rock albums quite like this one. Another reason why this ranks so highly is because MAYBESHEWILL were one of the pioneers of British post-rock and they are very sorely missed by fans. Just listen to the song Accolades, Critical Distance and Red Paper Lanterns and you’ll see what I mean.


 

3. EARTHSIDEA Dream In Static. Release date: 23 October 2015.

earthside

There are few bands who make a huge impact with their debut album like EARTHSIDE have. This is modern prog rock at its finest. But the thing that EARTHSIDE has that sets them apart from the rest is their expert musicianship. Each member is an incredibly talented musician and this talent can be heard in the ambition of their tracks. They execute their brilliance without any pretentious fluff and they scored some of the best vocalists in the business to elevate their tracks to new levels (see: Crater, the title track and Mob Mentality). With a new album being recorded as we speak, we can expect big things from the rising proggers.


 

2. MØLJord. Release date: 13 April 2018.

mol

It’s probably no surprise MØL have ranked so highly on this list, considering they were my Album of the Year last year. It’s been warming to see Jord resonating with other people so strongly. Songs such as Storm, Bruma and Penumbra are some of the most striking blackgaze tracks of the past decade. Their shoegaze riffs, black metal vocals and chilling melodies add up to a spectacular album. I’ve already written so many words about this album but I never run out of praise to say about it. Emotion and soul drip from every note and syllable screamed. A phenomenal album by one of the most promising acts around.


 

1 . ANAAL NATHRAKHVanitas. Release date: 23 October 2012.

vanitas

Behold, my album of the decade! ANAAL NATHRAKH have always been one of the best extreme metal acts from Britain, but 2012’s Vanitas shows the band at their most ambitious and polished. These songs are huge! I honestly don’t know where to start with this album. A lot of their albums prior (and after) have a few standout tracks and the rest are forgettable. Vanitas has banger after banger, with every track being its own individual beast you’ll remember for a long time to come. Yes, Forging Towards The Sunset and To Spite The Face are incredible, but can we just talk about album finale A Metaphor For The Dead? With one of the most climatic choruses the band have ever written, along with some of the most devastating riffs, it has gone down in history as my favourite album closer of all time. A strong statement I know but once you hear it for yourself, you may agree! Every great album needs a powerful closer and Vanitas concludes in such a roaring fashion, you feel compelled to start over again. After seven years no album has topped this for me.

Metalmance’s Top Releases of 2018: 10 to 1

The final 10. The all important No. 1.

Here it is! My final instalment of Metalmance’s Top Releases of 2018. Thanks for joining me on my Top Releases of the Year journey, it’s been fun! I won’t delay you any further, I’m sure you’re dying to know who has won my top spot! You may proceed. See you next year!

10

NIGHTMARERCacophony of Terror

One of the heaviest, darkest, most terrifying releases of the year, I’ve been besotted with Cacophony of Terror by NIGHTMARER since its release back in March. The dissonant tones and insanely heavy riffs are what keeps me coming back again and again. The seamless transition between opening track The Descent and Stahlwald has got to be one of my favourite album moments of 2018. These two tracks together are mindblowing and the ridiculous riff and crushing atmosphere in the latter will leave you chuckling at just how heavy NIGHTMARER are. Read more of my [dark] thoughts on Cacophony of Terror in the roundup below.

Roundup – May 2018

9

SKYHARBORSunshine Dust

It’s been a strong year for progressive metal releases and one big surprise this year has been SKYHARBOR’s new album, Sunshine Dust. Usually TESSERACT and MONUMENTS lead the way in the progressive metal/djent scene, but for me SKYHARBOR have risen high above the rest this year with their new release. New vocalist Eric Emery plays a big part in this with his terrific warbles, but the songs as a whole are more focussed and melodic compared to their previous releases. Standout tracks Out of Time, Synthetic Hands and the phenomenal title track will leave you dreaming for days. Fantastic stuff. Read my full review via the link below.  

Skyharbor – Sunshine Dust

8

ABORTEDTerrorVision

The Belgian death metal/grindcore Kings are back and with TerrorVision, their 10th studio album, they’ve unleashed their most blackened release yet. TerrorVision is everything I wanted the new BEHEMOTH to be. ABORTED have achieved an album so punishing, so unforgiving, so relentless it is a ferocious ride from start to finish. It’s amazing how something that sounds so polished can still sound extremely brutal and I think that proves the beastly talent of these Belgians. 

7

WITHIN DESTRUCTIOND E A T H W I S H

There’s a mad genius to D E A T H W I S H, the third album by Slovenian deathcore/slam band (there I’ve said it) WITHIN DESTRUCTION. This album is exceptionally brutal but it’s executed remarkably well making it an incredibly enjoyable listen. You know it must be a good record if Unique Leader Records picked the band up after the album was released in March. The title track is a slab of perfection, with brilliant guest vocals by VULVODYNIA’s Duncan Bentley. The pace, the riffage, the aural assault of the track is superb and sets the tone for the remainder of the album. Tracks like Extinction and Darkness Swallows Life demonstrate the awesome vocal talent of the band’s frontman Rok Rupnik, but I find penultimate track Death Awaits Us All is their most mature offering on D E A T H W I S H. The darkness of this song is suffocating and guarantees an enthralling listen. Do not ignore this album.

Roundup – April 2018

6

VOICES FROM THE FUSELAGEOdyssey: The Founder of Dreams

When I first listened to Odyssey: The Founder of Dreams and included it in my last roundup, I quite liked it but I didn’t realise how much I’d end up loving it and having it on repeat since. When this album clicked after a few listens, the sheer brilliance of the songwriting and lyrics was completely overwhelming. The delicate riffs and considered components of each song results in an absolute winner of an album. It’s rare to hear a record with not only heart-wrenching lyrics, but vocals too that make you believe every single the word. On this album, vocalist Ashe O’Hara ensures listeners feels the pain, the hope, the despair, the passion. It’s an unforgettable rollercoaster and singles Nine Levels and Vestibule of Hell are surprisingly heavy which fills out the album to be the perfect package. The real deal.

Roundup – November 2018

5

HARM’S WAYPosthuman

This is the CD I’ve played the most in my car this year; beefy, bold and hella heavy, no I’m not just describing HARM’S WAY frontman, I’m talking about how Posthuman is one of the most brutal records on the planet. Released way back in February, this album is guaranteed to make you pull the filthy riff face. For months nothing surpassed this record for me, and no matter how many times I listen to it, it never loses its punch. It’s not just any hardcore record though, no no, the industrial elements of tracks such as Last Man and the powerviolence thread that runs throughout makes Posthuman stupidly addictive to return to.

Roundup – April 2018

4

VOLAApplause of a Distant Crowd

I absolutely adore VOLA’s first album InMazes so I’m ashamed to admit my expectations weren’t too high for their second album as I thought it wouldn’t match its predecessor. How wrong I was. Applause of the Distant Crowd blows everything VOLA have previously done out the water. Thankfully the band have dropped most of the djent and have released one of the best progressive records of the year. With this album, the band have shown the world how good they are at creating stunning soundscapes. Applause of a Distant Crowd shimmers with dreamy notes and haunting vocals. There are still lots of heavy lil nuggets and surprises along the way. For me the best moment of the album is the KATATONIA-esque Still, which is an utterly mesmerising track. The songs Alien Shivers, Ghosts and Smartfriend are some of the best singles of the year, yet the album is still full of stunning moments. Believe the hype.

3

AVASTMother Culture

I know what you’re thinking. Who?? Who are AVAST? In October I reviewed the Norwegians’ debut album Mother Culture and I’ve been slightly obsessed ever since. 2018 has seen the rise of blackgaze bands and AVAST are still extremely new on the scene but my word, they’re one of the most intense and blissfully beautiful blackgaze bands around. On the more black metal end of blackgaze than shoegaze, the songs sound like WINTERFYLLETH if they gazed at their shoes a bit more. The mesmerising soundscapes AVAST also produce are captivatingly beautiful, if I listen to this album I have to make sure I’m not doing anything else. This album requires your full attention and concentration. I don’t want to say too much more about it as my full review below and the album as a whole speaks for itself. But promise me you’ll check it out, it’ll be one of the best things you do this year.

Avast – Mother Culture

2

EXOCRINEMolten Giant

After WITHIN DESTRUCTION’s D E A T H W I S H came out I wasn’t sure there was enough room in my life for another monster-themed album this year. I was wrong…again. French progressive death metal group EXOCRINE entered my life with their blistering new album Molten Giant and I haven’t looked back since. What I like about EXOCRINE is they leave all the bullshit out and get on with it. Molten Giant is a superb accomplishment and each song is of the highest calibre of prog death. It’s been fantastic to see the band really gaining momentum in the tech and prog death scene, and rightfully so. Tracks such as Scorched Human Society, Backdraft and Flamewalkers really showcase just how technically magnificent and brutal EXOCRINE are. Congratulations to EXOCRINE on releasing my favourite death metal album of 2018!

Exocrine – Molten Giant

1

MØLJord 

Here it is! My album of the year. I’m sure this doesn’t come as a shock to most of you considering I’ve been singing the praises of MØL since they released their debut album Jord back in April (I may as well change my name to Mølmance while I’m here). Throughout these Top 40 Releases of 2018 posts I’ve mentioned how my wanting to return to albums has been a factor in where I’ve ranked releases. Jord is the opposite. Jord is one of those albums where you savour every listen and limit yourself to how often you experience it so you avoid becoming bored of the record or over listening to it. Below you can read my full review of the album as well as my interview with the band which they did before their very first UK show at The Black Heart, Camden.

At first I wondered if it was just me who felt an over-emotional response to Jord, but after seeing other people’s reactions during the year and seeing the band fill the room to the brim at Damnation Festival, it’s safe to say I’m not alone. There is something truly special and unique about MØL. From their powerful blackgaze tunes and their mesmerising sound, to their phenomenal live show (it’s becoming legendary) the band are storming on all fronts and remaining humble with it. They get the balance between black metal and shoegaze just right, resulting in stunningly deep textures and soundscapes. I could rave on all day about how much I admire this band but an analysis will never do their music justice. Jord isn’t just an album, it is an experience. Jord is my Top Release of 2018.

Møl – Jord

INTERVIEW: MØL


Roundup – September 2018

This month has seen a plethora of awesome album releases (see below) but September has also been an outstanding month for new singles. So much so I have decided to dedicate the second half of this roundup to September Singles. A bit of alliteration is nice innit. Hope you enjoy this roundup, see you next month! (Hopefully before that as I’ve got a lot of bloody good reviews in the pipeline…)


Metalmance Top 3 Releases from September

It’s been hard to choose just 3 releases to include, as this month also saw blistering releases from the likes of PIG DESTROYER, REVOCATION and ABORTED but I have finally settled on a Top 3 and I’m very happy with it. Seriously, every month I say this but what the hell is going to happen with my album of the year list in December?! 2018 has been a killer year for releases and we still have 3 months to go! Help!

1

ANAAL NATHRAKH – A New Kind of Horror. Release date: 28 September.

A New Kind of Horror

Based on the atrocities of the First World War, this was never going to be a cheery listen. If you follow my blog you will have already read my little review of the album preview show at the Black Heart (link below) but listening to it again properly is just another mindblowing experience. If you know me then you’ll know I think the band’s 2012 album Vanitas is perfection, so you will understand how good A New Kind of Horror is once I’ve told you I think this is the band’s best material since 2012. Songs like The Reek of Fear and Forward! boast the classic beefy riffs and intensity ANAAL NATHRAKH are so well known for. It’s reassuring to hear they haven’t watered down their sound now they’re further along in their career. In fact they sound ballsier and more terrifying than ever. This album is a must-listen.

Anaal Nathrakh + The Atrocity Exhibit Live Review

2

SKYHARBOR – Sunshine Dust. Release date: 7 September.

Sunshine Dust

I’m surprised to see Sunshine Dust hasn’t been making the waves I was expecting it to, because I think this album is absolutely stunning. A major factor of this album’s appeal is the warbles from new frontman Eric Emery. Before this album was re-recorded and released, we had already been treated to Out of Time and Chemical Hands (now Synthetic Hands) so this album has been an extremely long wait. It was all worth it though as Sunshine Dust boasts a wealth of beautifully progressive and emotive songs. Tracks like Ugly Heart, Dim and the title track all tug on the heart strings yet still pack a punch. Definitely a contender for album of the year, don’t be surprised if you see Sunshine Dust high up in my list at the end of 2018.

Skyharbor – Sunshine Dust Review

3

FROM INSIDE – When I’m Breathing Without You EP. Release date: 14 September.

From Inside

At the tail end of 2016 I reviewed FROM INSIDE’s first EP The New Era (link below) and I predicted big things for the band and named them as possible game-changers down the line. This statement still stands as this new EP is a major jump in both confidence and quality. Opener Helpless has an irresistible European tinge to proceedings (think ANNISOKAY and DEAD BY APRIL) and You & I reminds me of THE USED and ISSUES, so you can probably gauge the high calibre metal on offer here. Still an unsigned band, the Liverpudlians are doing just fine continuing as an independent band, playing oodles of shows and building their fanbase. If this EP is anything to go by, when FROM INSIDE do release a debut album it’s going to be absolute killer.

From Inside – The New Era Review


September Singles

Normally this section is dedicated to other albums I’ve been listening to in the past month, but September has seen an influx of stupidly good singles, ahead of album releases. So I thought I would use this opportunity to share my favourite ones of the month and shed light on the bands in the lead up to their records dropping.

ARSIS – Tricking the Gods

The best news this month was hearing technical melodic death metal legends ARSIS are finally releasing their sixth album Visitant on 2nd November. I grew up listening to albums Celebration of Guilt and We Are The Nightmare, so ARSIS have been pivotal in my extreme metal history. This single is by far the best thing they’ve ever done, so if the new album is anything like this then we are all in for a little treat. The band haven’t lost any of their intensity or brutality, if anything it sounds like they’ve become even more technical and ambitious. This accompanying video is very fitting and not for the faint hearted. All the lyrics of the forthcoming album are apparently about different horror movies so be prepared for a blistering and terrifying release.

LASTELLE – This Cage I Built Myself

Who the hell are LASTELLE? I just so happened to stumble upon them on a Youtube channel and I’ve been besotted with this song ever since. It appears the band are only just starting out but have already sold out a gig in their home city of Oxford. LASTELLE have the knack of writing spine-tingling melodies with their drummer stealing the show with his melodic vocals (ATREYU vibes are strong with this one) but they seem to have penned the perfect post-hardcore track for the contemporary scene. Be prepared to feel all the feels. And be prepared to hear a lot more of this talented band.

COLD NIGHT FOR ALLIGATORS – Canaille

Danish progressive metal band COLD NIGHT FOR ALLIGATORS have been on my radar for a little while, so when I saw they had now been signed to Long Branch Records I was very excited. After hearing new single Canaille my thought was confirmed that the band are only going to get bigger and receive more recognition. A little bit more melodic than their previous material, this single is an absolute belter. There are a lot of interesting elements to Canaille, including jazz and djent and emotive rock. I am curious to hear how forthcoming album Fervor (out 9th November) will sound as a whole. Refreshing, fun and talented, COLD NIGHT FOR ALLIGATORS are sure to warm the coldest of reptiles with their forward-thinking metal. Expect to hear more about these guys.

DECAY THE OCEAN – Oizys, Beneath Me

Fed up with being labelled as just another 4/4 metalcore band, Kings Lynn DECAY THE OCEAN have fought back at critics with this promising new single, Oizys, Beneath Me. Starting with a beefy riff, this new track has got more grit, guts and determination than any of the songs on their debut EP Mirror City. Clearly stepping in the right direction to prove their doubters wrong, it’s good to see this young band eager to mature their sound and constantly improve. The love of playing music is clearly there and will hopefully continue to ooze out in the material they release later down the line.

VOICES FROM THE FUSELAGE – Nine Levels

Following on from 2016’s Odyssey: The Destroyer of Worlds, British progressive champions VOICES FROM THE FUSELAGE dropped the news this week they will be releasing their next album, titled Odyssey: The Founder of Dreams later in the year. Along with the news of the forthcoming album, the band also released their first single off it, Nine Levels. I feel this song has a strong COHEED AND CAMBRIA vibe at the beginning before it erupts into the classic emotive metal the band is known for. Vocalist Ashe O’Hara is a little gem in the metal scene and absolutely shines on this single, and the soaring melodies heard in Nine Levels are truly something else. A band to watch for sure, this album is definitely geared up and set to stun.

ABORTED – Vespertine Decay

Another sexy gorefest of a video this month, Vespertine Decay by Belgian death metallers ABORTED is the blistering new single from new album Terrorvision. This song shows the metal legends going down a more blackened route. Arguably more ‘melodic’ than their other material, this suggests the band are pushing the boat out and pushing their own boundaries in turn. One of the heaviest singles of the year so far, it has the potential to rip your face off. The ferocious brutality and intensity is suffocating and makes for an incredibly compelling listen.

VOLA – Ghosts

VOLA were one of the first bands I featured in Metalmance, I labelled them as a ‘Band to watch’ and I reviewed their debut album InMazes and since then I’ve watched them explode. Now on the brink of releasing their second album Applause From A Distant Crowd 12th October, the band have released two singles from it so far. Ghosts is the second of the two singles and quite a stark contrast to Smartfriend, the first single to be released. Ghost is a beautiful, tranquil track which makes good use of electronics, but it’s one of those calming tracks which gets stuck in your head for days. A dangerous combination! Hopefully the album will boast more diverse tracks, as the singles so far have featured less of the djent which featured heavily in their debut album.

Tech Fest 2017

6 Jul – 7 Jul 2017. Newark Showground.

THURSDAY

A small festival filled with technical metal bands, death metal and progressive metal? Yes please. Add to that the tight-knit tech community of people from all around the world, heavenly pizza, and tiny pancakes and you have a stellar weekend on your hands.

Thursday was the early bird day, with CHELSEA GRIN headlining. However, with Metalmance participating in camping shenanigans and being flooded out by rain of biblical proportions, there was only time to see THE ROYAL in the afternoon. Last time Metalmance saw these Dutch metalcore chaps, was in Boston Music Rooms supporting DREAMSHADE in March. Back then the band managed to stir up the crowd with their jumping-inducing tunes, and at Tech Fest it was no different, just on a bigger scale. Playing material from albums Dreamcatchers and their newest release, Seven, the band certainly won new fans over with their energetic set.

 

FRIDAY

Kicking off the weekend proper were London prog darlings FRAKTIONS. Metalmance recently had the pleasure of witnessing the band in Bristol supporting DEITIES, but their Tech Fest set was on another level. The group had brought their A-game, with vocalist Joel Pinder leading the performance with every vocal spot on. It was great to see a big turn out for the first band of the day and it’s clear to see how firmly wedged in the tech fam hearts FRAKTIONS are. If Tech Festers weren’t warmed up already, then they most certainly were after Kaan Tasan of NO CONSEQUENCE made a guest appearance. An impressive start to the festival by one of Britain’s promising progressive hopes.

Metalmance caught the second half of DREWSIF STALIN’S MUSICAL ENDEAVOURS and it was exactly as expected; fun, bordering on chaos with the man himself commanding the stage along with vocalist, Lee making a damn fine effort.

VALIS ABLAZE were up next on the Gigantic Stage. A solid set, the band were clearly well rehearsed, with material from latest EP Insularity shimmering amongst the setlist. Vocalist Phil Owen hits every note while guitarist Tom Moore steals the hearts with his evident joy of being there, demanding the most attention by performing on a front speaker. That is until the guest appearance of Drewsif Stalin (the producer of Insularity) stealing the focus away. Ending the set in high spirits and to a great response, it’s wonderful to see this talented band starting to receive the recognition they deserve.

Metalmance Valis Ablaze

From VALIS ABLAZE’s melodic progressive metal to something quite different, Metalmance entered the main arena to the irresistible riffy ruckus of British death metallers DYSCARNATE. Having never encountered the band before it’s safe to say the brutal trio ended up being one of Metalmance’s highlights of the festival. No nonsense, straight to your face, no gimmicks, the band deliver their material at 100mph. They treated their fans to a few new tracks from their forthcoming album. These songs have a blackened tinge to them, making the next release one of the most hotly anticipated of the year for us.

Deathcore masters MARTYR DEFILED deliver a polished set which loses none of its impressive intensity. This British lot have been touring for well over 5 years now, their ease at playing a ferocious show is evident. One of the veterans of the British scene and should remain so.

In a drunken haze, Metalmance caught bits of WITHIN DESTRUCTION and VIRVUM, both on the gigantic stage. Both very heavy. Heavy is the word which came to mind…

By the time the evening rolled round, everyone was buzzing for the headliners THE BLACK DAHLIA MURDER, but beforehand we all got warmed up with an absolute pummelling from the legendary ABORTED. Intense, disgustingly heavy and incredibly tight, the pioneers of Belgian deathgrind delighted the crowd with their impressive stage presence and set up. Skeletons graced the stage, backlit by eerie lighting. This, coupled with frontman Sven De Caluwe pacing up and down the platform and the technical instrumentation, all contributed to arguably one of the tightest sets of the whole weekend.

It was always going to be a challenging job to top ABORTED’s flawless set, but who better for the job than THE BLACK DAHLIA MURDER? Their live reputation is well known, a stupidly tight and professional band, TBDM have always moved from strength to strength. Performing material spanning across their whole back catalogue, from Unhallowed to Abysmal, every song went down a treat with their fans. Of course, this year signals 10 years since the release of classic album Nocturnal, so several tracks were played tonight, including the fan favourite What a Horrible Night to Have a Curse, in preparation for their forthcoming tour playing the album in full. Feeding off the crowd’s enthusiasm, the band were clearly in high spirits and knocking out tune after tune. Frontman Trevor Strnad grabbed the inflatable banana which was being crowd surfed to the front. This bode the start of what would become a legendary year for inflatables at Tech Fest… Heads banging, pits, cheers and smiles all round were the result of TBDM’s set. You can’t help but to be left feeling impressed and upbeat once the band have rolled into town. A hard act to follow, the bar was set for the remainder of the weekend.