Metalmance's Top 20 Albums of the Decade

20 of the best albums from 2010-2019.

Album of the Year lists aren’t enough this year. 2019 heralds the end of one of the best decades of metal. Emerging genres have really come to the fore in the past ten years (blackgaze anyone?) whereas we’re all surprised at how metalcore has survived and evolved. With technology advancing, the decade has also seen different consumer habits as well as advances in music technology as a whole. But that’s enough faff and chat. Without further ado, behold my Top 20 Albums of the Decade!


 

20. ORPHANED LANDAll Is One. Release date: 24 June 2013.

I’ve always enjoyed oriental music but hearing it in a metal context was a phenomenal concept to me. When I finally checked out Israel’s ORPHANED LAND I fell in love immediately. To me, they’re still the best ‘oriental metal’ band out there. They mix traditional instruments, metal elements and heartfelt messages so seamlessly it’s hard not to fall under their spell. All Is One is a superb example of the epic anthems they create to help reunite people of all faiths, race and genders. Tracks such as the title track, Freedom and Children emphasise their mission, all the while keeping tracks catchy and heavy. A must-listen for all.


 

19. SLEEPING WITH SIRENSFeel. Release date: 4 June 2013.

Now before you close this post and avoid my blog forever, hear me out here. Every track on SLEEPING WITH SIREN’s Feel is absolute gold. There’s a song for every occasion and emotion and it beckoned the start of their retreat from poisonous emo-pop-punk to the boring rock music they create today. With Feel they get it just right. Personally for me, this album dropped at a huge transitional period of my life so tracks such as Free Now, Congratulations and Satellites became anthems of this time. It’s not only teenagers who relate to Kellin Quinn and co. and their lyrics are more honest and relatable than many of their peers (FALLING IN REVERSE I’m looking at you).


 

18. TESSERACTOne. Release date: 22 March 2011.

I just had to include something by TESSERACT in this list. It was a tough choice between One and Polaris, but I chose One in the end as it was unlike anything I had heard in the metal world. Yeah there was PERIPHERY as well but for me, TESSERACT had a little something extra…mainly the vocal expertise of Daniel Tompkins. The first track I heard was The Impossible – Concealing Fate Part. 3 and I will never forget its melodies, djent and overwhelming atmosphere. In a way One signifies the innocence of the beginning of the djent genre before it became oversaturated by awful bands and copycats. Today it’s evolved into a whole new progressive metal beast but it’s good to look back on One and see how far metal has come.


 

17. AVASTMother Culture. Release date: 26 October 2018.

This decade saw the rise of blackgaze as a genre and it is one of the best things to have ever happened for metal. Mixing black metal and shoegaze to create highly emotive extreme metal is a dream come true. Only a handful of bands are getting the formula right and Norway’s AVAST is one of those bands. Last year’s debut album Mother Culture is a superb example of the heavier end of the genre. Tracks such as the title track and The Birth Of Man show some of the best that AVAST have to offer, but their instrumental tracks also trigger a strong emotional response. Powerful, climatic and devastating, Mother Culture is an important album.


 

16. MOTIONLESS IN WHITEReincarnate. Release date: 15 September 2014.

reincarnate

Metalcore is alive and well and MOTIONLESS IN WHITE have helped the survival of the gothic strain of it. Reincarnate saw the band at their most industrial, experimental and arguably…their catchiest. The guest features on this album are spot on, with the likes of Dani Filth, Maria Brink and Tim Skold making Reincarnate a goth’s wet dream. There is absolutely no filler on this album like a lot of their others, with tracks Break The Cycle and Wasp being some of the best keyboard-led metalcore for years. Now if only MOTIONLESS IN WHITE took the blueprint for The Final Dictvm for the latest albums…


 

15. TIMES OF GRACEHymn of a Broken Man. Release date: 18 January 2011.

I am one of those fans who think the new Jesse Leach-era KILLSWICTH ENGAGE has never surpassed what Leach and Adam D achieved with Hymn of a Broken Man. Yes, TIMES OF GRACE was always meant to be a more melodic and honest project, and remember Howard Jones was still in KILLSWITCH ENGAGE at this point, but Hymn of a Broken Man is one of the most beautiful albums created this decade and few have surpassed its melodic prowess. Live in Love, Where The Spirit Leads Me and Willing are some of the most stirring metal tracks this decade has seen. It’s just a shame the duo decided to lead the album with one of the weaker tracks, Strength in Numbers. Let’s hope they release a new album next year.


 

14. 65DAYSOFSTATICWe Were Exploding Anyway. Release date: 26 April 2010.

65dos

We Were Exploding Anyway was everything I wanted from 65DAYSOFSTATIC. The Sheffield post-rockers have always pushed the boundaries of the genre and have created the most phenomenal sounds. With this album, the band were their most ‘dancey’ and it even saw the inclusion of vocals on Come to Me, but they were very cleverly sliced and used as samples. Mountainhead, Crash Tactics and Piano Fights are some of the most genius songs 65DOS have written and the album as a whole is a delight from start to finish.


 

13. BLEEDING THROUGHThe Great Fire. Release date: 31 January 2012.

The Great Fire

Before the Orange County crew split up in 2014 (and reformed in 2018) the metalcore darlings dropped one of their finest albums to date, The Great Fire. This glorious slab of brutality incorporates every genre that BLEEDING THROUGH can execute so well, metalcore, hardcore, punk, black metal, melodic death metal…tracks like Goodbye To Death and Everything You Love Is Gone are perfect examples of their melting pot of styles. No metalcore band have achieved this again.


 

12. ABORTEDRetrogore. Release date: 22 April 2016.

retrogore

I must admit I was a bit late to the ABORTED fandom, but once I finally got there I was besotted. Retrogore was my first exposure to the Belgian death metallers and it’s still my favourite. Everything just seems to gel on this record and the blackened elements which play a big part on 2018’s Terrorvision come to the fore on this record. Termination Redux and Divine Impediment are brutal gems, dark death metal at its best. The band aren’t showing any signs of slowing down, constantly evolving to remain one of the most terrifying bands out there.


 

11. NORDIC GIANTSA Séance of Dark Delusions. Release date: 20 April 2015.

nordic giants

NORDIC GIANTS are always best to experience live, but 2015’s masterpiece A Séance of Dark Delusions brilliantly captures the intense material this post-rock duo create. The guest vocalists on this album are all outstanding with standout tracks being Dissolve (with SATURDAY SUN), Rapture (with Beth Cannon) and the superb Futures Dark (with Nadine Wild-Palmer). Each tracks tells its own story and every track with vocals could easily be a radio hit, making NORDIC GIANTS your favourite secret.


 

10. EIGHTEEN VISIONSXVIII. Release date: 2 June 2017.

XVIII

C’mon you knew EIGHTEEN VISIONS were going to make an appearance. This was the comeback of the decade for me. In true 18V fashion, their comeback album XVIII sounded unlike anything they have recorded before. The throwback references to earlier material (film samples, insects buzzing and the objects in the artwork) create a nostalgic record which still bludgeons you with modern, crunchy metal. Songs such as Oath and Live Again are the perfect tributes to the band’s roots and their late bassist Mick Morris (RIP). This is definitely an album for the loyal fans, but any lover of heavy, crushing metal will equally enjoy this album.


 

9. SOILWORKThe Ride Majestic. Release date: 28 August 2015.

soilwork

The kings of melodic death metal, SOILWORK seem to get better with age. The Ride Majestic is a sublime album by the modern version of SOILWORK. This is an absolute belter from start to finish. Some old school fans look down on it for not being Natural Born Chaos 2.0, but this album is the full package. The vocals, lyrics, instrumentation, flow of the album are outstanding. When their peers are crashing and burning, SOILWORK have evolved and grown to be the melodic death metal darlings they are today. The title track, Death In General and the stirring finale Father and Son, Watching the World Go Down are some of my favourite songs of the decade. The fact that the band are still going strong is a blessing.


 

8. BLACK CROWN INITIATE Selves We Cannot Forgive. Release date: 22 July 2016.

blackcrowninitiateselves

Selves We Cannot Forgive was my first ever Album of the Year when I started this blog back in 2016. It has stood the test of time and cemented itself as one of my favourite progressive death metal records of all time. There has been a surge of progressive death metal bands in the past few years and BLACK CROWN INITIATE remain one of the best. This album exhibits the best aspects of the genre, with tracks such as Belie The Machine and For Red Cloud providing the brutality, and the title track and Again providing the soaring melodies. This album has it all.


 

7. DYSCARNATEAnd So It Came To Pass. Release date: 27 February 2012.

and so it came to pass

DYSCARNATE’s last album With All Their Might topped my AOTY list back in 2017, but I couldn’t have two of their albums in my top 20 of the decade so I’ve opted for their phenomenal second album And So It Came To Pass. If you’re still unfamiliar with this death metal trio (yes, they’re a trio and still heavier than most bands) then you are seriously missing a trick here. A band haven’t been this brutally groovy since…well…forever. And So It Came To Pass is a tremendous example of this, with The Promethean, In The Face of Armageddon and A Drone In The Hive bringing the hardest bangers of the album. Fingers crossed there will be a new album in the new year!


 

6. DREAMSHADEThe Gift of Life. Release date: 25 January 2013. 

gift of life

DREAMSHADE are always such a treat. These Swiss metalcore lovelies are still relatively unknown yet every album is an absolute blinder. 2013’s album The Gift of Life saw the band hit their stride. Photographs, Your Voice and Consumed Future are some of the best metalcore tracks you haven’t heard yet. Not only do DREAMSHADE write catchy songs but somehow their riffs are hella catchy too. A super slick and polished beast, DREAMSHADE are currently working on a new album and it promises to be another stellar effort.


 

5. DISTORTED HARMONYChain Reaction. Release date: 9 July 2014.

chain reaction

Discovering DISTORTED HARMONY was one of the best things I did in the past few years. Their progressive metal is fuelled by melodies and heart. Their second album Chain Reaction has just the right amount of technicality and melody to make it a beautifully balanced record. The charm and passion oozes out of this record with tracks such as Every Time She Smiles, Hollow and Natural Selection being some of the most stirring. With the ever-growing prog metal scene it takes something special to standout from the rest of the pack these days, these guys have got it.


 

4. MAYBESHEWILLI Was Here For A Moment, Then I Was Gone. Release date: 30 May 2011. 

maybeshewill

So this is my third and final post-rock album in this list. I Was Here For A Moment, Then I Was Gone is my favourite of them all, for a number of reasons. The main one being, the album triggers the biggest emotional response of any album without vocals. It demonstrates the sheer, emotional power that rock instruments have. The melodies and climaxes are sublime, there’s no other post-rock albums quite like this one. Another reason why this ranks so highly is because MAYBESHEWILL were one of the pioneers of British post-rock and they are very sorely missed by fans. Just listen to the song Accolades, Critical Distance and Red Paper Lanterns and you’ll see what I mean.


 

3. EARTHSIDEA Dream In Static. Release date: 23 October 2015.

earthside

There are few bands who make a huge impact with their debut album like EARTHSIDE have. This is modern prog rock at its finest. But the thing that EARTHSIDE has that sets them apart from the rest is their expert musicianship. Each member is an incredibly talented musician and this talent can be heard in the ambition of their tracks. They execute their brilliance without any pretentious fluff and they scored some of the best vocalists in the business to elevate their tracks to new levels (see: Crater, the title track and Mob Mentality). With a new album being recorded as we speak, we can expect big things from the rising proggers.


 

2. MØLJord. Release date: 13 April 2018.

mol

It’s probably no surprise MØL have ranked so highly on this list, considering they were my Album of the Year last year. It’s been warming to see Jord resonating with other people so strongly. Songs such as Storm, Bruma and Penumbra are some of the most striking blackgaze tracks of the past decade. Their shoegaze riffs, black metal vocals and chilling melodies add up to a spectacular album. I’ve already written so many words about this album but I never run out of praise to say about it. Emotion and soul drip from every note and syllable screamed. A phenomenal album by one of the most promising acts around.


 

1 . ANAAL NATHRAKHVanitas. Release date: 23 October 2012.

vanitas

Behold, my album of the decade! ANAAL NATHRAKH have always been one of the best extreme metal acts from Britain, but 2012’s Vanitas shows the band at their most ambitious and polished. These songs are huge! I honestly don’t know where to start with this album. A lot of their albums prior (and after) have a few standout tracks and the rest are forgettable. Vanitas has banger after banger, with every track being its own individual beast you’ll remember for a long time to come. Yes, Forging Towards The Sunset and To Spite The Face are incredible, but can we just talk about album finale A Metaphor For The Dead? With one of the most climatic choruses the band have ever written, along with some of the most devastating riffs, it has gone down in history as my favourite album closer of all time. A strong statement I know but once you hear it for yourself, you may agree! Every great album needs a powerful closer and Vanitas concludes in such a roaring fashion, you feel compelled to start over again. After seven years no album has topped this for me.

Rivers of Nihil/Black Crown Initiate/Møl/Orbit Culture

The Dome, London. 2 October 2019.

Considering the show is starting early on a weeknight, there is still a generous crowd gathering for Swedish death metal troupe ORBIT CULTURE who are opening the show. Their riffs thump enough to get the audience in the mood for a night of blistering metal. However, it’s not until the band play new single Nensha that things start to get interesting. Once the band get more material and live experience under their belts then maybe they will have more of an impact.

It’s reassuring to see so many members of the audience wearing MØL tshirts tonight. Knowledge of their stunning live show has been spreading and there are many curious onlookers this evening. Front man Kim Song Sternkopf has not lost an ounce of his power and energy on this mammoth tour and is as captivating as ever. Screaming every word with such passion and intensity is incredibly moving as a spectator. A short spell in the crowd enables some fans to scream along with Sternkopf and everyone wants part of the action. The band play tracks from their debut album Jord – with the blackgaze sounding as equally superb and moving in the live setting. Guitarist Nicolai Busse Hansen is the contemplative counterpart to Sternkopf’s fiery persona, and the guitar notes shimmer over the crowd. Their live show is quickly becoming legendary. Surely we are due a MØL headline tour next?

After MØL stunned us into silence, it’s the turn of progressive death metal heavyweights BLACK CROWN INITIATE to pummel us into submission. Driving fans wild by playing the majority of their debut EP Song of the Crippled Bull and other older gems, the crowd were going fanatic! New song Years in Frigid Light sounds immense live and was lapped up gratefully by fans. Bassist Nick Shaw and guitarist Ethan McKenna spend the set flexing their faces making damn-good-riff expressions while drummer Sam Santiago proves he might possibly be an actual machine. Andy Thomas amazed with his impeccable voice, while front man James Dorton sounds as colossal live as he does on record, his penetrating growls commanding the crowd. With their long-awaited new album rearing its head soon, you can expect to see more (hopefully) from these prog death titans.

It’s been an epic night so far with MØL and BLACK CROWN INITIATE providing headline-worthy sets. RIVERS OF NIHIL had hard acts to follow but, my word, they were phenomenal! Listening to last album Where Owls Know My Name in full is always a treat, but hearing it in full live…? Nothing short of sublime. Throw in numerous spots by a real life sax man (a headbanging one at that) and you’ve got yourself an other-worldly experience. Front man Jake Dieffenbach is extremely striking in his unusual attire but his roars are formidable. With extremely brutal circle pits and a wall of death, the crowd were running riot. Being one member short tonight (guitarist Jon Topore was unfortunately in hospital) didn’t deter the band from delivering one of the tightest sets I’ve seen all year. After selling out The Dome and getting the whole venue moving, it won’t be long before RIVERS OF NIHIL sell out bigger venues. Watch this space.

Roundup – September 2019

Looking back at the hottest albums and singles of the month.

August might have been a mad month for mainstream metal releases but September has certainly seen its fair share of mammoth albums from the underground. This roundup sees the staple Top 3 releases of the month and then a look at September’s singles, of which there have been some huge releases! But to start things off I introduce my discovery of the month. If you stick around long enough you can dip into a highlight from the archive. See you in October!


 

Metalmance’s Discovery of the Month

IVY CROWN

I have to confess, Danish metalcore troupe have been on my radar for a little while now but after last month’s single Our Worst Days and the fact their debut album is out in October, I’ve been giddier about IVY CROWN this month! Previous singles Run and Lonesome and Cold (which features Kim Song Sternkopf from MØL) have been promising good things from IVY CROWN. Newest single Our Worst Days has an infectious sense of mischief and fun, but underneath each track is a dark undertone which makes this all-female group even more intriguing. Gaining momentum in the Danish scene, it won’t be long before IVY CROWN make their mark in the UK. With the forthcoming album being produced by Chris Kreutzfeldt (CABAL), vocal production by Mirza Radonjica-Bang (SIAMESE) and guest appearences from the Danish talent of Sternkopf and GHOST IRIS’ Jesper Gün, you can get a sense of what a big deal the women are becoming in their homeland. You’ll be silly not to check them out! 


 

Metalmance’s Top 3 Releases of September

This month has been hard to rank my Top 3. A special mention must go out to 65DAYSOFSTATIC and their amazing new release, replicr. This band always surpass themselves yet remain humble and create outstanding soundscapes. However, this month has seen some monstrous albums and here are the best three…

1

CAR BOMBMordial. Release date: 27 September 2019.

After releasing the singles Dissect Yourself and Scattered Sprites, I knew I was going to love this new CAR BOMB release. However, I had no idea how much Mordial was going to blow me away. It’s felt like a long wait since 2016’s breath taking album Meta, but the growth by CAR BOMB since that album is bewildering. I have seen a lot of mixed responses about Michael Dafferner’s clean vocals on some of the songs but for me, it adds a surreal element to their music, making them sound like a mathcore DEFTONES. Meta was always going to be impossible to top, and thankfully CAR BOMB haven’t given us more of the same with Mordial. Yes, their distinct mathy riffs are there, yes the songs are insane, but there is now so much depth to their textures and dynamic it is staggering. Second track Fade Out even has a pang of indie and shoegaze underneath the brutality and it makes for an interesting listen. CAR BOMB are still a band who are evolving after almost two decades in the game, and that is terrifyingly good.

 

2

BAESTVenenum. Release date: 13 September 2019.

If like me, you believe BLOODBATH should have called it a day after The Fathomless Mastery, Danish death metallers BAEST could easily fill the death metal void in your life. After last year’s incredible Danse Macabre, BAEST have stepped the menace up tenfold with Venenum. Each track drips with venom and malice. Reaping from old school death metal influcnces, the band conjure up filthy riffs and hellish growls. Main singles Vitriol Lament, Gula and As Above So Below do standout, but album highlights come in the shape of Empty Throne and Sodomize with their beastly grooves and violent lyrics. Causing a stir in the European scene after huge tours supporting the likes of DECAPITATED and next month ABORTED and ENTOMBED A.D., the band are constantly on the up. For the love of metal, listen to BAEST.

 

3

GODEATERAll Flesh Is Grass. Release date: 27 September 2019

GODEATER’s debut album All Flesh Is Grass is everything I wanted the new SHOKRAN album to be. The Glaswegians have nailed technical death metal with oriental passages thrown in but with an important environmental message too. Not willing to shy away from the planet’s climate issues, GODEATER are unleashing their views with their equally compelling music. The fast pace and brutality of their songs is mightily impressive for a new band, but the atmosphere they conjure would be the envy of bands twice their age. Tracks like Salvation and Inertia Haze also boast ABIGAIL WILLIAMS-esque blackened brilliance. Unlike some of their UK Tech Metal scene contemporaries, GODEATER write ridiculously technical songs, but with enough heart and substance to actually keep you interested. If the band have achieved this masterpiece with their debut album and so few shows under their belts, imagine what GODEATER will be capable of with album number two.


 

September Singles

It’s mad to think we’re still promised so many awesome albums before the end of 2019. Some of the tracks below are singles from forthcoming albums and they are a sign of the quality to come. If metal keeps up like this, then we’re in for a blistering end of year. Behold my top singles from September!

SCHAMMASCHRays Like Razors

It’s been a while since Switzerland’s black metal elite SCHAMMASCH have graced us with their infectious misery. Rays Like Razors hints at a progression in sound for the band. The dark atmosphere and intense black metal is still there, but the crisper production and polished madness somehow makes the band sound bolder and even more frightening. The mature sound on show here pushes the envelope of black metal. SCHAMMASCH have always been atmospheric but the tone here is absolutely suffocating with an edge of the progressive. By the end of the track you feel like you haven’t received the full blow of what the band is promising, but this hopefully means the band will unveil all that they have up their morbid sleeves on the full length.

 

END OF DAZEReach Out

Who said metalcore was dead? Harking back to the sound of the late noughties, these young Britons are channelling MOTIONLESS IN WHITE, ATREYU and ASKING ALEXANDRIA and other bands of that ilk, but with more heart and less make-up. Hailing from Weymouth, END OF DAZE is threatening to bring British metalcore back to glory. Even though their sound isn’t anything ground-breaking, Reach Out included, there is something so pure and brilliant about what they play, you can enjoy the music exactly for what it is – good, honest metalcore. The metal scene is so saturated with bands searching for likes and followers, if a band is sincere and write enjoyable songs then I’m all for it!

 

BLACK CROWN INITIATEYears In Frigid Light

You may remember BLACK CROWN INITIATE’s last album Selves We Cannot Forgive made it to the top spot in my 2016 Album of the Year list. So it goes without saying their forthcoming album is one of my most eagerly anticipated releases of the year. They finally released the first track Years In Frigid Light this month and I’m having mixed feelings about it. The vocals are too high in the mix and it takes a long while for the song to really get going, but the dissonant air is spectacular. Once again the clean vocals raise the track to new heights, but the impact is too late and underwhelming. After a three year wait, the song unfortunately doesn’t cut it for me.

 

KILL THE KONGInterstellar

Yet to make a mark on the British scene, Swedish metalcore outfit KILL THE KONG have been on my radar for a few years now and have been featured in my blog a few times. New song Interstellar sees the band further remove themselves from their dual-percussion element (thankfully, as there’s only so many tribal rhythms you can include before it starts to sound repetitive) and deeper into metalcore territory.  The energy is still infectious and it sounds like KILL THE KONG are finally hitting their stride. Bold, heavy and energetic, the Swedes should really start to gain more attention now. They’ve proved they have the staying power and ability to evolve, they just need to continue working hard and hone their sound to becoming something unstoppable. 

 

ABIGAIL WILLIAMSI Will Depart

ABIGAIL WILLIAMS mastermind Ken Sorceron has been teasing new AW material for a while now but this track seemed to drop out of nowhere. I Will Depart is the opening track for forthcoming album Walk Beyond The Dark and it spells a new era for the American black metal band. This terrific track sees the band return to the blackened brilliance of their glory days, but with an older and wiser air to proceedings. The technicality remains and the atmosphere is colossal, but the writing is more focussed making for a brutal assault. If the remainder of the album is as mesmerising as this, then we’re in for a right ol’ black metal treat.

 

LOATHEGored

LOATHE were responsible for one of the darkest and most chilling albums of 2017, The Cold Sun. If single Gored is anything to go by, then LOATHE will surpass themselves with their darkest and most furious material to date. Crushingly heavy and suffocating, LOATHE are not here to soothe your soul or ears. The dense riffs would make CODE ORANGE proud but it is the intensity of the band which always shakes you to the core. Vocalist Kadeem France sounds like a man possessed on this single, his unnerving vocals leading the way for the hefty racous of riffage which ensues. Truly spectacular, LOATHE have been going from strength to strength but this release will be sure to see them rocket to the Kings of the heavy British scene.

 

LEPROUSAlleviate

It’s a good thing that I’m a huge fan of Eurovision otherwise I might never revisit LEPROUS again after their new single, Alleviate. I love the song and the band, but I find it amusing how they’ve evolved from being the backing band for IHSAHN and now LEPROUS seem to be the backing band for Einar Solberg. Even if the band are going down a pop route, they still make better pop music than the majority of chart artists. The subtle elements happening in the verses keep things interesting but it is the catchy folk pop chorus which will continue to pull in new fans. Read below for a snippet of my first post about LEPROUS from the Metalmance archive.


 

From the Archive

After the recent release of two singles from LEPROUS’ forthcoming album Pitfalls, I wondered if I could have predicted their prog pop direction… 

Band to watch: LEPROUS

Deliciously on the melodic end of the metal spectrum, LEPROUS’ beautiful melodies are made the more spine tingling thanks to the incredible vocal talent of Einar Solberg […] There’s no denying LEPROUS add their own twist to proceedings and really push themselves to the front of the melodic metal pack.”

Weekly Roundup #3

Metalmance Top 20 Albums of 2016

A great year for metal! Who took the top spot?

Welcome to the first Metalmance Top 20 Albums! 2016 has been a hell of a year for metal this year, with lots of reunions and surprise releases. Not all entries will have a blog link due to Metalmance only being a third of a year old. So let’s get straight to it…

 

sleeping  No. 20  CANDIRIA – While They Were Sleeping                     

It’s good to have CANDIRIA back isn’t it? While They Were Sleeping is the band’s eighth album and their first on Metal Blade and it’s a reminder of the band’s refreshing metal mix of hardcore, prog, hip hop and jazz. If you’re new to CANDIRIA, then this album is a good start. Check out the link below to see what Metalmance said about the band’s video for the title track.

Weekly Roundup #4

 

a3458996965_10  No. 19  INCITE – Oppression

You can always rely on INCITE to provide some straight-up, relentless metal, and with their fourth album Oppression, the band continue to carve their own niche in the scene. This isn’t easy when you’re the stepson of metal god Max Cavelera, like frontman Richie Cavalera is, but INCITE are more than capable of thriving on their own. With an intense live show to match, INCITE should be one of your bands to watch.

 

kvelertaknattesferd  No. 18  KVELERTAK – Nattesferd

Every KVELERTAK release is an exciting bag of rock n roll, black metal and punk. This, being the Norwegian’s third album is no different but includes a glorious classic rock tinge to proceedings without losing any the original ferociousness the band are known for. Still raw, fast and exciting, KVELERTAK are still on the rise.

 

mortiis_cover  No. 17  MORTIIS – The Great Deceiver

Another welcome return in 2016 was MORTIIS with their new album The Great Deceiver. After a hiatus of almost five years, the new material was like reuniting with an old, industrial friend. The album has the timbre of Downward Spiral era NIN, but with a contemporary twist, all resulting in a pretty impressive album for the revival of industrial metal.

 

14040057_10154510824634759_8534743349618738043_n  No. 16  NOCETM – Haeresis

Stumbling upon Spanish extreme metallers NOCTEM was an excellent discovery this year. Their album Haersis is still bludgeoning the ears of Metalmance. Read a snippet of the review below and follow the link to the full review.

“Introducing NOCTEM, a black metal band that have more tricks up their sleeve than you might first perceive. They sound like all of your favourite extreme bands rolled into one delicious, morbid package, each track offering a new twist to proceedings.”

NOCTEM – Haeresis Review

 

nails_-_you_will_never_be_one_of_us  No. 15  NAILS – You Will Never Be One of Us

Probably the most unforgivingly brutal release of the year, NAILS winded metal fans around the world with the absolutely punishing You Will Never Be One of Us. Twenty minutes of sheer face-ripping, ear-pummelling metal, it never gives up for a second. This is how metallic hardcore punk should be done.

 

annisokay  No. 14  ANNISOKAY – Devil May Cry

One of Germany’s most promising metal exports, ANNISOKAY makes metalcore exciting again with their pure passion for their craft. Not afraid to include massive choruses, this young band can only get bigger with their irresistible melodies and crushing riffs.

“With the aggression of newer PARKWAY DRIVE and the melodic sensibilities of bands like SAOSIN and SILVERSTEIN, ANNISOKAY will appeal to fans across the melodic metal spectrum.”

ANNISOKAY – Devil May Care Review

 

lacunacoildeliriumcd  No. 13  LACUNA COIL – Delirium

Italy’s finest never disappoint. Still churning out masterpiece after masterpiece, LACUNA COIL have set their own bar high in the form of Delirium, their eighth album and heaviest to date. Based on narratives surrounding the abandoned asylum near to where the band live, the album is full of intensity and emotion. It still packs a punch over half a year later.

“The subject matter helps to shape the band’s most intense album to date with opener House of Shame bursting in kicking and screaming with the heaviest riff and vocals we’ve heard from LACUNA COIL in a long, long time.”

Weekly Roundup #2

 

textures-phenotype-artwork  No. 12  TEXTURES – Phenotype

Four long years since their last release, TEXTURES finally dropped fifth album Phenotype back in February and it’s still a rewarding progressive metal album. Vocalist Daniël de Jongh is proving his worth with the absolute belters of New Horizons and opener Oceans Collide. Recorded simultaneously with the album Genotype which will be released next year, don’t be surprised if TEXTURES also feature on the list next year.

 

wallsofjerichonoonecd  No. 11  WALLS OF JERICHO – No One Can Save You From Yourself

Yet another band returning from a hiatus, Detroit’s WALLS OF JERICHO released No One Can Save You From Yourself and it is a perfect return to form. The hardcore greats are as ferocious and as angry as ever and could easily show younger bands how it’s done. Welcome back.

“Candice Kucsulain, along with the rest of the band WALLS OF HERICHO, delivers such straight up, no nonsense hardcore punk, it’s mind boggling this hardcore troupe from Detroit do not receive more credit and recognition.”

Weekly Roundup #3

 

brutai  No. 10  BRUTAI – Born

2016 finally saw the release of the debut album by London’s BRUTAI. It was well worth the wait, with its refreshing approach to the melodic metal genre making the band one to watch. With big riffs, big ideas and big choruses, BRUTAI pulls it all off with aplomb and passion. One of the UK’s brightest metal hopes.

“The future of British metal has indeed been born.”

BRUTAI – Born Review

 

a0651344947_10  No. 9  ANAAL NATHRAKH – The Whole of the Law

A band who never disappoint, ANAAL NATHRAKH returned this year with ninth album The Whole of the Law, which is quite possibly the band’s most punishing album to date (if that’s even possible). The brutality ramps up with each song, making The Whole of the Law an intense listen which rewards you with mutilated ears.

“A new ANAAL NATHRAKH album is always a joyous occasion – if joyous means the same as the sensation of having your face battered off by a shovel.”

ANAAL NATHRAKH – The Whole of the Law Review

 

dreamshade  No. 8  DREAMSHADE – Vibrant

A late treat in the year, DREAMSHADE’s third album Vibrant is a gloriously melodic affair with a whole lot of heart. Their passion for their music overspills in each song, ensuring you get wrapped up in their infectious metal and melodies. A great discovery for Metalmance this year.

“An album which shimmers with melodic metal perfection, this third offering from Swiss band DREAMSHADE is indeed a vibrant effort.”

DREAMSHADE – Vibrant Review

 

evergreythestormwithincd  No. 7  EVERGREY – The Storm Within

EVERGREY…dark, emotional, intelligent, melodic, heavy, progressive…and catchy too. Is this an album with everything?? Guest appearances from Floor Jansen? Check. Songs with a big heart? Check. Dark and moody atmosphere? Check. Intense and beautiful video accompaniments? Check!

“If you want some progressive metal which you can belt out around the house, then look no further than EVERGREY.”

Weekly Roundup #9

 

vola-inmazes-album-art  No. 6  VOLA – Inmazes

Technically a reissue through Mascot Label Group, it’s such a treat of an album it would have been rude not to have featured it in this year’s list. VOLA’s Inmazes features most of the year’s catchiest melodies and big choruses, with Stray The Skies still owning the most memorable keyboard hook in recent memory. A young band full of promise and potential, VOLA are ones to watch for sure.

“The young band from Copenhagen have already fine tuned their sound which incorporates chugging guitars giving way to soaring vocals and catchy keyboard hooks.”

VOLA – Inmazes Review

 

animalsasleadersmadnesscd  No. 5  ANIMALS AS LEADERS – The Madness of Many

Modern metal legends ANIMALS AS LEADERS dropped The Madness of Many a month ago and it is captivating and mesmerising audiences worldwide. Just listening to a few seconds of opener Arithmophobia will make you understand why. An album bursting with a stupid amount of musical talent, ANIMALS AS LEADERS have outdone themselves again. How will they ever be able to top this?

“The diversity of sounds on this album demonstrates how far the band push the boundaries of progressive music and composition itself, as far as utterly breaking free of limitations and creating the most mesmerising music which doesn’t seem possible by man.”

Weekly Roundup #11

 

0045778746064_png_1200x1200_q90_crop  No. 4  SAOSIN – Along The Shadow

Another band who ended their hiatus and released an album this year. With Along The Shadow, SAOSIN have created a modern, post-hardcore classic. There was always a risk of sounding run-of-the-mill or sounding too similar to CIRCA SURVIVE, but the band thankfully pulled out all the stops and released one of the year’s most surprising highlights. Heart wrenching songs, big riffs and even bigger choruses, they’re the kings of the new post-hardcore generation.

“The album is one hot nostalgic trip to the glory days of post-hardcore, but somehow they sound timeless.”

Weekly Roundup #13

 

ihsahn-arktis-e1450461123634  No. 3  IHSAHN – Arktis

Ihsahn needs no introduction. This year he almost reached perfection with Arktis, an album so full of twists and turns in extreme styles it is spectacular from start to finish. There are plenty of unexpected elements which feature in the album, including SHINING’s Jørgen Munkeby providing a cheeky bit of saxophone on Crooked Red Line and LEPROUS’ Einar Solberg providing the stunning vocals on closer, Celestial Violence. A modern classic, Arktis will astound listeners for many years to come.

 

635902518368165120  No. 2  PORT NOIR – Any Way The Wind Carries

Possibly the most exciting discovery for Metalmance this year, PORT NOIR is a band which is almost impossible to pigeonhole. With songs bordering on pop, then others edging towards CULT OF LUNA-esque riffs (see Black From the Ink) each song is a different melodic beast. Elements of funk, jazz and metal complete with the distinct vocals of frontman Love Andersson, make Any Way The Wind Carries a rewarding listen each time. For a trio, PORT NOIR have such a rich and deep sound you wonder at how they haven’t already cracked the mainstream. An album so diverse and well executed, Any Way The Wind Carries deserves its high ranking in this list.

“The level of melodic goodness doesn’t detract from the heaviness on the album, instead you feel like you’re listening to all of your favourite genres as they are all sprinkled into one tasty package.”

Weekly Roundup #5

 

blackcrowninitiateselves

No. 1  BLACK CROWN INITIATE – Selves We Cannot Forgive 

And here we have it! Metalmance’s album of the year! BLACK CROWN INITIATE’s Selves We Cannot Forgive has been on frequent rotation since its release. A truly spellbinding example of progressive death metal and its very best. An absolute beast of an album, it pummels you with its devastating riffs and ferocious drumming, then revives you through the utterly compelling clean vocals. The band mix slow and brooding, with fast and aggressive with such zeal the album is a seamless triumph of modern metal. Standout track Belie the Machine pulls you in with its entrancing introduction, you think you’re safe for a few minutes, then the band absolutely crush you with a catastrophic riff GOJIRA would be proud of. The title track shows the more melodic side of BLACK CROWN INITIATE, with its soaring vocals and piano accompaniment. A diverse and ambitious album, it deservedly owns its place at the top spot.

“This, being the band’s second album released through eOne Music, is such a varied beast with  each track harnessing its own surprising little nugget.”

Weekly Roundup #4

Weekly Roundup #4

More metal and alternative goodness for you

Wow, four weeks is like a month right? So a month of metal madness to celebrate then! Feats your eyes (and ears) on the bands featured below!

Band to watch: ANIMALS AS LEADERS. Last week the band unveiled new track The Brain Dance from their forthcoming album The Madness of Many. If you haven’t heard of this band already (where have you been mate?!) then expect to hear more from this impeccably talented trio. Their instrumental material shimmers with  variety of metal styles and jazz elements, and if this song is anything to go by then their new album could have less djent which may be a sign the band are comfortable progressing into their own distinct sound. The Brain Dance then, does what it says on the tin. Its intricate melodies and delicate guitar notes create a sonic soundscape so delicious it makes your brain all tingly while it comprehends how humans can create such beautiful music. If you like your prog music on the guitar-y side of things i.e. PLINI and INTERVALS, then make sure you delve into ANIMALS AS LEADERS.

Video to watch: CANDIRIA.

Normally if a band’s music video is filmed in a recording studio you might feel a little disappointed. But not this time. CANDIRIA’s play through for While They Were Sleeping, directed by Steve Perlmutter and filmed in Spaceman Sound studios,  premiered last week and shows a new take on the humble play through video. A visually interesting video, it is made up of a variety of shots from different angles and sides of each member of the band playing through the song. Because the shots keep changing, the audience’s interest is held. The brutality of the song isn’t lost at all, in fact the viewer can appreciate it more as all the small details are captured on camera, especially during the progressive interlude. But don’t let me ruin the video for you. Go on, have a watch below.

Still in the stereo: BLACK CROWN INITATE. Released back in July, Selves We Cannot Forgive by BLACK CROWN INITIATE is still demolishing the stereo with its breath-taking progressive death metal. This, being the band’s second album released through eOne Music, is such a varied beast with  each track harnessing its own surprising little nugget. Opener For Red Cloud blasts the album into your consciousness with its gloriously heavy composition of pummelling riffs and devastating growls, but there are small rays of sunshine through the clean vocals which propel the songs even further into awesomeness. The calmer moments of the album such as the title track demonstrate the band’s more progressive side, but other parts of the album have a lot of European influences from OPETH to GOJIRA, it is sometimes hard to believe BLACK  CROWN INITIATE hail from Pennsylvania! You’ve just missed them play in the UK supporting BORN OF OSIRIS and VEIL OF MAYA, but let’s hope they’ll play our shores again soon.

Band to rediscover: MY AWESOME COMPILATION. A song which never fails to lift me out of a bad mood is Put Up A Fight which was released way back in 2005 by MY AWESOME COMPILATION. This ridiculously optimistic song could thaw even the coldest of hearts. The band from Leicester are currently still on hiatus (BOO!) but leave two albums and two EPs (and a split single with FALL OUT BOY go figure) for our listening pleasure(hurrah!). The happy band is something we miss in these uncertain times, every now and then you just want someone to say to you “All these small chances will one day add up to everything” and somehow, everything will seem OK. MY AWESOME COMPILAION we need you! Come back!

Band yet to listen to: NORDIC GIANTS. After a successful tour with TESSERACT earlier this year, NORDIC GIANTS have been attracting more attention and fans, but they might not be what you think they’d be…