Decay The Ocean – Hopeless

Self-release. Release date: 30 November 2019

If I gave Metalmance Awards for ‘Most Improved Band’, I would give this year’s to King’s Lynn’s metalcore younglings DECAY THE OCEAN. Second EP Hopeless is a major step up from their debut EP Mirror City, which was released after their formation in 2017. Gone are the adolescent lyrics and mediocre riffs, and in storms an unrecognisable maturity from the band and a raging fire of determination. Yes, their sound has a long way to go, but their potential is rapidly exposing itself. DECAY THE OCEAN still wear their influences boldly on their sleeve but they now sound less like a poor man’s A DAY TO REMEMBER and more like a band channeling their love of ARCHITECTS, KILLSWITCH ENGAGE and WHILE SHE SLEEPS.

Lead single Wake Up kicks off proceedings with strong KILLSWITCH vibes and energy. Big, crunchy, metalcore riffs are the deal of the day while front man Mike Jenkins screams and croons his way through the number. Wake Up isn’t the most original thing you’ll hear all year but it’s ballsy and catchy enough to maintain your attention.

Hopeless on the other hand is by far the best track DECAY THE OCEAN have ever written. The heavy brutality blasts out of nowhere and it’s refreshing as hell. If they write more material like this I would not be disappointed. With its big riffs, Jenkins’ spitting venom and a punishing pace, Hopeless is an unforgiving offering. Instead of trying to mimic their heroes, DECAY THE OCEAN sound like they’re unleashing their inner demons. More please.

More madness ensues in Peace of Mind. Chuggy riffs and aggression galore, it does go a bit southern and cringey in places, but the ambition is there. DECAY THE OCEAN are clearly capable of a huge sound but it does lose momentum towards the end. Things go a little post-hardcore with EP closer Before It’s Gone. The second half feels a lot more honest and genuine than the first. There’s a lot of mish-mash of styles happening in Before It’s Gone which sometimes makes it sound unfocused, but it is still a strong finale. The last minute trumps the rest and provides a late highlight for Hopeless as a whole.

DECAY THE OCEAN have produced a strong body of work but now need to focus on their strengths and nurture their sound. Adding every style into the melting pot won’t save them next time. The passion, ambition, and potential are there, the lads just need to tap into it and write from the heart. With a lot of hot talent emerging from Norfolk, DECAY THE OCEAN can’t risk being left behind.

Roundup – September 2018

This month has seen a plethora of awesome album releases (see below) but September has also been an outstanding month for new singles. So much so I have decided to dedicate the second half of this roundup to September Singles. A bit of alliteration is nice innit. Hope you enjoy this roundup, see you next month! (Hopefully before that as I’ve got a lot of bloody good reviews in the pipeline…)


Metalmance Top 3 Releases from September

It’s been hard to choose just 3 releases to include, as this month also saw blistering releases from the likes of PIG DESTROYER, REVOCATION and ABORTED but I have finally settled on a Top 3 and I’m very happy with it. Seriously, every month I say this but what the hell is going to happen with my album of the year list in December?! 2018 has been a killer year for releases and we still have 3 months to go! Help!

1

ANAAL NATHRAKH – A New Kind of Horror. Release date: 28 September.

A New Kind of Horror

Based on the atrocities of the First World War, this was never going to be a cheery listen. If you follow my blog you will have already read my little review of the album preview show at the Black Heart (link below) but listening to it again properly is just another mindblowing experience. If you know me then you’ll know I think the band’s 2012 album Vanitas is perfection, so you will understand how good A New Kind of Horror is once I’ve told you I think this is the band’s best material since 2012. Songs like The Reek of Fear and Forward! boast the classic beefy riffs and intensity ANAAL NATHRAKH are so well known for. It’s reassuring to hear they haven’t watered down their sound now they’re further along in their career. In fact they sound ballsier and more terrifying than ever. This album is a must-listen.

Anaal Nathrakh + The Atrocity Exhibit Live Review

2

SKYHARBOR – Sunshine Dust. Release date: 7 September.

Sunshine Dust

I’m surprised to see Sunshine Dust hasn’t been making the waves I was expecting it to, because I think this album is absolutely stunning. A major factor of this album’s appeal is the warbles from new frontman Eric Emery. Before this album was re-recorded and released, we had already been treated to Out of Time and Chemical Hands (now Synthetic Hands) so this album has been an extremely long wait. It was all worth it though as Sunshine Dust boasts a wealth of beautifully progressive and emotive songs. Tracks like Ugly Heart, Dim and the title track all tug on the heart strings yet still pack a punch. Definitely a contender for album of the year, don’t be surprised if you see Sunshine Dust high up in my list at the end of 2018.

Skyharbor – Sunshine Dust Review

3

FROM INSIDE – When I’m Breathing Without You EP. Release date: 14 September.

From Inside

At the tail end of 2016 I reviewed FROM INSIDE’s first EP The New Era (link below) and I predicted big things for the band and named them as possible game-changers down the line. This statement still stands as this new EP is a major jump in both confidence and quality. Opener Helpless has an irresistible European tinge to proceedings (think ANNISOKAY and DEAD BY APRIL) and You & I reminds me of THE USED and ISSUES, so you can probably gauge the high calibre metal on offer here. Still an unsigned band, the Liverpudlians are doing just fine continuing as an independent band, playing oodles of shows and building their fanbase. If this EP is anything to go by, when FROM INSIDE do release a debut album it’s going to be absolute killer.

From Inside – The New Era Review


September Singles

Normally this section is dedicated to other albums I’ve been listening to in the past month, but September has seen an influx of stupidly good singles, ahead of album releases. So I thought I would use this opportunity to share my favourite ones of the month and shed light on the bands in the lead up to their records dropping.

ARSIS – Tricking the Gods

The best news this month was hearing technical melodic death metal legends ARSIS are finally releasing their sixth album Visitant on 2nd November. I grew up listening to albums Celebration of Guilt and We Are The Nightmare, so ARSIS have been pivotal in my extreme metal history. This single is by far the best thing they’ve ever done, so if the new album is anything like this then we are all in for a little treat. The band haven’t lost any of their intensity or brutality, if anything it sounds like they’ve become even more technical and ambitious. This accompanying video is very fitting and not for the faint hearted. All the lyrics of the forthcoming album are apparently about different horror movies so be prepared for a blistering and terrifying release.

LASTELLE – This Cage I Built Myself

Who the hell are LASTELLE? I just so happened to stumble upon them on a Youtube channel and I’ve been besotted with this song ever since. It appears the band are only just starting out but have already sold out a gig in their home city of Oxford. LASTELLE have the knack of writing spine-tingling melodies with their drummer stealing the show with his melodic vocals (ATREYU vibes are strong with this one) but they seem to have penned the perfect post-hardcore track for the contemporary scene. Be prepared to feel all the feels. And be prepared to hear a lot more of this talented band.

COLD NIGHT FOR ALLIGATORS – Canaille

Danish progressive metal band COLD NIGHT FOR ALLIGATORS have been on my radar for a little while, so when I saw they had now been signed to Long Branch Records I was very excited. After hearing new single Canaille my thought was confirmed that the band are only going to get bigger and receive more recognition. A little bit more melodic than their previous material, this single is an absolute belter. There are a lot of interesting elements to Canaille, including jazz and djent and emotive rock. I am curious to hear how forthcoming album Fervor (out 9th November) will sound as a whole. Refreshing, fun and talented, COLD NIGHT FOR ALLIGATORS are sure to warm the coldest of reptiles with their forward-thinking metal. Expect to hear more about these guys.

DECAY THE OCEAN – Oizys, Beneath Me

Fed up with being labelled as just another 4/4 metalcore band, Kings Lynn DECAY THE OCEAN have fought back at critics with this promising new single, Oizys, Beneath Me. Starting with a beefy riff, this new track has got more grit, guts and determination than any of the songs on their debut EP Mirror City. Clearly stepping in the right direction to prove their doubters wrong, it’s good to see this young band eager to mature their sound and constantly improve. The love of playing music is clearly there and will hopefully continue to ooze out in the material they release later down the line.

VOICES FROM THE FUSELAGE – Nine Levels

Following on from 2016’s Odyssey: The Destroyer of Worlds, British progressive champions VOICES FROM THE FUSELAGE dropped the news this week they will be releasing their next album, titled Odyssey: The Founder of Dreams later in the year. Along with the news of the forthcoming album, the band also released their first single off it, Nine Levels. I feel this song has a strong COHEED AND CAMBRIA vibe at the beginning before it erupts into the classic emotive metal the band is known for. Vocalist Ashe O’Hara is a little gem in the metal scene and absolutely shines on this single, and the soaring melodies heard in Nine Levels are truly something else. A band to watch for sure, this album is definitely geared up and set to stun.

ABORTED – Vespertine Decay

Another sexy gorefest of a video this month, Vespertine Decay by Belgian death metallers ABORTED is the blistering new single from new album Terrorvision. This song shows the metal legends going down a more blackened route. Arguably more ‘melodic’ than their other material, this suggests the band are pushing the boat out and pushing their own boundaries in turn. One of the heaviest singles of the year so far, it has the potential to rip your face off. The ferocious brutality and intensity is suffocating and makes for an incredibly compelling listen.

VOLA – Ghosts

VOLA were one of the first bands I featured in Metalmance, I labelled them as a ‘Band to watch’ and I reviewed their debut album InMazes and since then I’ve watched them explode. Now on the brink of releasing their second album Applause From A Distant Crowd 12th October, the band have released two singles from it so far. Ghosts is the second of the two singles and quite a stark contrast to Smartfriend, the first single to be released. Ghost is a beautiful, tranquil track which makes good use of electronics, but it’s one of those calming tracks which gets stuck in your head for days. A dangerous combination! Hopefully the album will boast more diverse tracks, as the singles so far have featured less of the djent which featured heavily in their debut album.

Roundup – July 2018

All the releases I’ve been indulging in this past month.

My month has mostly been taken up by the mighty UK Tech Metal fest and the bands surrounding that, but I have had a busy month with this month’s plethora of awesome releases and more. What bands and albums have you been enjoying this month? Let me know!


 

Metalmance Top 3 Releases from July

July has been another awesome month for new releases, including a couple by bands that have reformed and released new material. You can read about one of said bands below! Deciding my Top 20 albums later in the year is going to be very difficult indeed.

 

1

THE AGONY SCENE – Tormentor. Release date: 20 July 2018.

Tormentor

Back in 2005 I was obsessed with The Darkest Red. There’s always been an AGONY SCENE shaped hole left in the metal world for me, but now it’s been filled again because the band have reformed and are better than ever. Tormentor is disgustingly heavy with more tech and black metal elements than ever before. The starting riff in Submissive reminds me of the opening of Bastard Chain by SOILWORK and album finale Mechanical Breath is a superb example of blackened AGONY SCENE, with its WINTERFYLLETH-esque opening riff and ferocious drumming. Not only have the band returned all guns blazing but they’ve evolved from metalcore and surpassed their older material. This is THE AGONY SCENE 2.0 and I bloody love it. Currently tearing up the US on the Summer Slaughter tour along with BETWEEN THE BURIED AND ME, VEIL OF MAYA and ETHEOS, don’t be surprised if the band take over the scene once again. Catch the link to my blog post below from the archive which features me reminiscing about The Darkest Red.

Weekly Roundup #19 featuring The Agony Scene

 

2

DISTORTED HARMONY – A Way Out. Release date: 19 July 2018.

A Way Out

I was wondering how DISTORTED HARMONY’s third album A Way Out would be received by fans, and since its release it’s been interesting to see the response. A few have expressed their dislike of the heavier direction, while others – me included – have embraced the techier stance. In my review (link below) I mentioned this album may pave the way for them to be accepted further into the progressive metal community and I stand by that. Don’t forget this album was four years in the making and had various line-up changes, the next album may see all the components of DISTORTED HARMONY gelling together more coherently. A Way Out sounds like the band are still finding out what works for them but I really believe they’re on the right track and it’s only going to be a stratospheric rise from here.

Distorted Harmony – A Way Out Review

 

3

NEXILVA – Aseity : I EP. Release date: 20 July 2018.

AseityI cannot believe I stupidly missed NEXILVA on the Saturday of Tech Fest, I must have been napping in the shade or something (more about other bands I’ve missed later in this post) because their most recent EP Aseity : I absolutely slays. Their sound is a collection of all things dark and heavy. The opener Redeemed is a highlight for me, it reminds me of symphonic ABIGAIL WILLIAMS but it also has the exotic SHOKRAN elements which pushes the dynamic to the next level. And don’t get me started of the disgustingly awesome clean vocals on this EP, this track especially. All the tech influences can be heard on Aseity : I from MESHUGGAH on Decades and BETWEEN THE BURIED AND ME on Overview, but NEXILVA completely own their sound. They’re exciting, blisteringly heavy and they haven’t even tapped into their full potential yet.


 

On the playlist…

I’ve been trying to catch up with some independent releases this month. These are the records which caught my attention.

ISA – Chimera. Release date: 19 April 2018.

ISASo I’m just gonna throw this out there straight away and inform you that ISA is just one chap. Everything is written, played and recorded by Dan Curhan and I think Chimera is a bloody good achievement. Chaotic, messy and progressive it’s an interesting beast to listen to. Listening to tracks such as Stage I – Descent and Stage II – Fear, there’s something of a manic Devin Townsend about Curhan’s progressive approach. In his calmer moments, Curhan has a Maynard James Keenan tinge to his voice, even Mike Patton, there’s something unbelievable about Curhan’s vocal talent. Musically Chimera shifts from BETWEEN THE BURIED AND ME to BEECHER to OPETH. It’s all over the place yet it’s all contained. It’s got to be heard to be believed. The depth and ambition of this release is incredible for a soloist. You could do much worse than check this out. Do it.

 

DECAY THE OCEAN – Mirror City. Release date: 9 June 2018.

Mirror CityI don’t think I’ve seen a band work so hard as DECAY THE OCEAN. Coming out of nowhere they’ve been taking their home county of Norfolk by storm this year and further a field as well, including recently supporting CYCLAMEN on their Tech Fest warm up show in Sheffield. In an over-saturated scene of A DAY TO REMEMBER rip-offs and mediocre tech bands, it takes a lot these days to get noticed and be respected but through their passion and perseverance, DECAY THE OCEAN are making waves (haha, geddit?). Their material isn’t the most original and the production could be better, but the potential and the love of the music is there bubbling fiercely underneath. Debut EP Mirror City wears all of the band’s melodic metalcore influences on its sleeve, at times so much it becomes predictable, but I can’t help but wonder what DECAY THE OCEAN may achieve once they’ve established a sound of their own and grown more as a band. Watch this space.


 

Post-Tech Fest playlist…

This is my little section dedicated to the bands I stupidly missed playing live at this year’s Tech Fest but have been listening to since. Yes, I am an idiot but I promise I won’t miss them next time around.

UNPROCESSED – Covenant. Release date: 13 April 2018.

CovenantIt’s no secret I’m a massive fan of the Long Branch Records roster, so how on Earth did I remain ignorant to UNPROCESSED? A German tech metal band that’s taking djent to new heights, they played Tech Fest on the Friday and yours truly stupidly missed out. The band have recently toured with fellow label mates VALIS ABLAZE and I haven’t stopped listening to their album Covenant since.  My first thought was this band is what ANIMAL AS LEADERS would sound like if they had vocals but that’s just scratching the surface. UNPROCESSED have an abundance of tricks up their sleeves and this album is an incredible slab of progressive tech metal. A stand out track for me is Malleable which sounds like djent with THE ROYAL vocals and a melodic ending reminiscent of JUROJIN. The pure djent moments of this band are refreshing and pushing boundaries. Millenium is also another outstanding track with its eerily heavy riff and its BRUTAI-like clean vocals. Everything about this track is spot on, it rocks HARD. This is contrasted by The Mirror which is piano driven and has oodles of electronic elements. The riffing is ridiculous in Meridian, and with a NORTHLANE-ish melody and CHON-esque vibes after the chorus, this is a corker of a track. Don’t make the same mistake I did, make sure you catch these guys when you can!

 

MISCREANT – Living Death. Release date: 6 May 2016.

Living DeathThese dudes have been on my radar for quite a while. So what did I do? I missed them at Tech Fest on the Friday didn’t I. I’m hoping to redeem myself when they play Kings Lynn with MECHROMORPH and BOUND IN FEAR though so bear with me. MISCREANT released new single Let Tomorrow Die last year but their last full release for their debut EP Living Death and it’s a stunning debut of dark and chaotic metal. With the dark intensity of LOATHE this isn’t a listening experience for the faint-hearted. Bitter Regrets is full of OCEANO-scale breakdowns and Desolation has an irresistible hardcore pace that manifests into an absolute beast. So much is packed into these four songs, the debut album is going to blow everyone away. You’ll see.

 

DESPITE EXILE – Relics. Release date: 17 November 2017.

RelicsIt seems all the bands I wanted to see were on the Friday. I remember wanting to check out DESPITE EXHILE but also wanting to save my energy for VOYAGER so I chose the latter but I do regret missing these Italian metallers. I hear they absolutely smashed it and it’s not surprising if you’ve listened to their last album Relics. The title track alone is a blackened paradise. The depth to their heaviness is staggering. It’s interesting to see how people pigeon-hole this band. I’ve seen ‘deathcore’, ‘black metal’ and ‘death metal’ thrown about but the truth is the band are all three and so much more. There is something epic about their dynamic which borrows from the world of black and death metal but there is also the straight-up brutality from deathcore. It’s an exciting combination. In tracks such as Ephemeral you have metalcore riffs and black metal atmospherics and it’s such a stunning result, the whole album leaves me a bit gobsmacked at the end. Let’s hope these Italians play the UK again soon.