Roundup – July 2019

It’s been a scorcher of a month and that’s just this month’s releases!

Metalmance is well and truly back after a well-deserved break. There is so much to catch up on, this year is proving to be a corker of a year for new albums. In the coming months Roundups will also include releases which have captured my attention and singles you might have missed. Links to features this month will also be shared as well as a gem from the archives. This month I’ll start with my Top 3 releases of July and then feature some of my favourite albums of 2019 I’ve been enjoying on my break. Thanks for reading, see you next month!


 

Metalmance’s Top 3 Releases of July

This month has been a death metal paradise with regard to releases. With the scorching heat wave and the wave of brutal tunes, it’s been feeling like hell with a devilish soundtrack! My top releases of this month reflect this, so without further ado here are my Top 3:

 

WORMEDMetaportal EP. Release date: 19 July 2019

I don’t know how I’ve completely slept on WORMED until now, but goodness me am I happy I’ve discovered them. The Spanish sci-fi tech death troupe sound like all my favourite extreme metal bands all rolled into one. Metaprotal is an insane little record. One which you wish was a full length, but perhaps it is better off this way because you can savour each of the four tracks until you’ve consumed all the brutality. Songs like Bionic Relic boast DECAPITATED-esque riffs (cirqa. Organic Hallucinosis) while Cryptoubiquity harks back to the filthy days of BERZERKER, but it is E-Xystem://Ce which has a contemporary dissonant air about it (imagine if NIGHTMARER wrote Carnival is Forever).  These four songs are enough to strike plenty of damage, approach at your own peril.  

2

DISENTOMBThe Decaying Light. Release date: 12 July 2019.

One of my most anticipated albums of 2019 finally landed this month and it was well worth the wait! Brutal death metal Aussies DISENTOMB have returned with the spectacular The Decaying Light and if they weren’t on your radar, then they sure as hell will be now! The dissonant tones which run underneath their ferocious tunes give it an extra menacing edge. The production is as murky as the depths of despair which is a good thing when you want to spread your misery. The pace is relentless throughout the album and vocalist Jordan Phillip is continuing to impress as one of the scene’s most unforgiving guttural merchant. If you’ve yet to venture into the depths of DISENTOMB, then tread carefully. 

3

Thy Art Is MurderHuman Target. Release date: 26 July 2019.

It’s easy to say Human Target, the fifth album by Aussie death metal merchants THY ART IS MURDER could be the raucous soundtrack to our inevitable dystopian future. Truth is, Human Target hits home in the dystopia which is the world TODAY. Never a band to shy away from sensitive topics or worldwide scandels, THY ART IS MURDER channels our sick world into some of the most brutal metal of our time. Human Target is arguably the band’s most blackened material to date and the results are outrageous. There’s oodles of CABAL-esque desperate despair as well as the predictable nods to politics today (Make America Hate Again) but with this album you can really feel every word and every note of misery played. The band are angrier than ever which means the state of the world is even worse, but it’s good news for us because we get an even more relentless steamroll from THY ART IS MURDER.


 

Metalmance Catch Up

As I said above, there’s been plenty of releases I’ve been jamming on my break and so many I want to share with you! This month I’m sharing some of my top albums which dropped in the Spring.   

PORT NOIR – The New Routine. Release date: 10 May 2019.

Much like the title of the second track of this album, The New Routine is indeed Flawless! You might remember Swedish rockers PORT NOIR’s last album Anyway The Wind Carries was my second favourite album of 2016 and it’s felt like a long wait for this third album. Now signed to Inside Out Music I’m glad the band are amongst a progressive roster as PORT NOIR’s music is tough to pigeonhole and needs a label which will let them grow and fly. I was worried their new direction might be a lot poppier and it is in a way, but there is still such an appealing organicness to their music which is irresistible. I love they’re a trio with a huge sound and they really do get their groove on with this album. They sound like DEATH FROM ABOVE but sassier and bassist/vocalist Love Andersson is sounding as delightful as ever. The riffs are on point and the melodies are so smooth and sexy it will make you dream in velvet. Hot stuff, check them out before they get huge.  

 

BRUTUSNest. Release date: 29 March 2019.

I bought Nest just on the basis of falling in love with a live video of BRUTUS’ song War. At the start I thought it was just going to be folky rock (which isn’t my cup of tea) but it developed into an intense, raw display of power and they blew me away. They’re only a trio but they create such huge walls of sound and blistering soundscapes they can be lumped in with post-rock bands as well as your conventional alt-rock groups. They’re signed to Hassle Records so you can expect an element of chaos to what they do. They chuck a lot of styles and influences into the pot yet they create their own BRUTUS sound; black metal riffs, punk energy and shoegaze visions all make an appearance on Nest making it unpredictable yet fresh. Stunning stuff.   

 

EMPLOYED TO SERVE Eternal Forward Motion. Release date: 10 May 2019.

This album goes bloody hard! EMPLOYED TO SERVE’s Eternal Forward Motion is absolutely devastating! I wasn’t expecting the brutal pace and relentless ferocity. I really liked their last album Warmth of a Dying Sun but this new album is something else! It makes me stomp around with the ugly riff face, exactly what I like in a record! There’s been a lot of hype around this band for a few years now so if you still haven’t checked them out or seen them live, then you’re really missing out.  


 

From The Archive…

After reviewing the band’s second album Render earlier this month (link to review at the bottom of this Roundup), I was curious to revisit my first review of Bristolian proggers VALIS ABLAZE back when they released their EP Insularity. Here’s a snippet of what I had to say…

VALIS ABLAZEInsularity EP. Release date: 30 January 2017.

“To push themselves to the forefront of the scene the band should focus on nurturing and fine-tuning their own sound, as the band have proved with this EP they already harness the talent and passion to potentially become a leading force themselves.”

Valis Ablaze – Insularity Review

 


 

DON’T MISS…

Metalmance interview with WOLF JAW

INTERVIEW: Wolf Jaw

Metalmance Tech Fest 2019 reviews

Tech Fest 2019: Part 1

Tech Fest 2019: Part 2

Metalmance live review of CROBOT

Crobot/Wolf Jaw/Kamensko

Metalmance review of VALIS ABLAZE Render

Valis Ablaze – Render

Valis Ablaze – Insularity

Self-release. Release date: 30th January 2017.

The opening bars of Insularity confront you with an instant TESSERACT vibe, which is never a bad thing if executed well, luckily in VALIS ABLAZE’s case, it is! Over the duration of the EP, this TESSERACT influence slowly ebbs away enabling VALIS ABLAZE to demonstrate the beginnings of the niche they are carving themselves in the UK tech metal scene. With the impressive vocals of new frontman Phil Owen and the progressive guitars by Ash Cook and Tom Moore, this band from Bristol achieve an ambitious sound with the help from producer Drewsif Stalin.

First track Resolution is reminiscent of One-era TESSERACT, with the bass-heavy verse and sprinkling of guitars which soon crash into a beastly riff and a catchy chorus fellow British metallers EXIT TEN would have been proud of. Inertia bursts into your consciousness with a glorious VOLA-esque riff, and it soon becomes apparent that VALIS ABLAZE have developed a knack for penning killer choruses and irresistible riffs. As unoriginal as that combination sounds, this band do actually provide top notch melodic goods with plenty of heart and power.

The electronic effects at the beginning of Lost in Syntax add another appealing dynamic to VALIS ABLAZE’s sound. The urgent riffs set the foundation for a high energy song which gathers pace then clears into a delicious haze of intricate elements. Title track Insularity has one of the most memorable beginnings on the EP, with a riff which borders on post-hardcore and a smattering of piano. This is one of the strongest tracks in terms of an original sound and diversity. Phil Owen also seems to find his own vocal style with this track which carries the song beautifully along until the last note fades out.

The urge to describe the opening riff of Persuasion as djent is strong, but it is a terrific punchy progressive number with subtle electronic flourishes here and there which enriches the sound. Things slow down a bit for the EP finale Legacy, which brings Insularity to a spectacular close. Bassist Kieran Hogarty also has his chance to shine, providing a rumbling bass riff throughout the emotionally intense song. The triumphant riff towards the end of the track leads into the progressive outro and brings Insularity to a final halt.

An impressive effort from another promising British progressive band, VALIS ABLAZE have all the components for something truly special. To push themselves to the forefront of the scene the band should focus on nurturing and fine-tuning their own sound, as the band have proved with this EP they already harness the talent and passion to potentially become a leading force themselves.