Metalmance’s Top Releases of 2018: 30 to 21

The second instalment of Metalmance’s Top 40 Releases of the year.

Welcome to my second instalment of Metalmance’s Top 40 albums of the year! Hopefully you enjoyed Albums 40-31, you’re in for a treat with this list! Let’s get down to business then and proceed with the next 10 albums on my list…

30

THE FIVE HUNDREDBleed Red

These lovely lads from Nottingham (via Gibraltar) released this magnificent debut album back in August and it’s a melodic tech metal delight. Coming to the fore of the UK tech scene, the band also wear their metalcore influences on their sleeves with Bleed Red as there is a definite KILLSWITCH ENGAGE streak running throughout (especially on the self titled track and Smoke and Mirrors). This is an album which makes you eagerly anticipate the next release! Great stuff. Check out my full album review from August by following the link below.

The Five Hundred – Bleed Red

29

BROKEN GIRLS FROM ALLFUENT BACKGROUNDSFiction Will See Us Through

This little gem was released back in May and it’s an EP I’ve been returning to during the remainder of the year. I adore bands who throw in shoegaze and post-rock influences and this progressive rock act from Phoenix, AZ throw oodles of the stuff into the pot. There’s a delightful sense of nostalgia when listening to BROKEN GIRLS FROM AFFLUENT BACKGROUNDS. I won’t spoil them for you, they’re a band you’ll have to listen to yourself. Fingers crossed for a full length album soon!

Broken Girls From Affluent Backgrounds – Fiction Will See Us Through

28

SVALBARDIt’s Hard To Have Hope

Hardcore black metal band SVALBARD have caused some serious waves with the release of their latest album It’s Hard to Have Hope. Featuring serious themes such as the bleak job prospects for the youth of today, revenge porn and backlash against feminism, SVALBARD tackle these issues by writing equally urgent songs. You can hear the grit, desperation, anger and passion in frontwoman Serena Cherry’s vocals and it makes for a very intense listen. This album is proving to be somewhat of an underground hit, but don’t just take my word for it, have a listen and hear for yourself. Below are links to my full album review, my live review of their album release show and a Q&A with the band.

Svalbard – It’s Hard To Have Hope

Q&A with Svalbard

Svalbard/Møl/Group of Man

27

UNPROCESSEDCovenant

Djent may be seen as a bit of a stale genre these days but German progressive metallers UNPROCESSED are pushing the boundaries of the style with their latest album Covenant and I’ve been smitten ever since. There are some serious grooves on this record and the riffs sound refreshing in an over-saturated scene. There is an extraordinary depth to their music and with each listen, new snippets are discovered. Read more of my views of Covenant in August’s roundup via the link below.

Roundup – July 2018

26

MANESSlow Motion Death Sequence

No album of the year list would be complete without at least one avant-garde album. That album for me is Slow Motion Death Sequence, by Norway’s art rock band MANES. It’s been said this is their most accessible record but I find it to be one of their more intense efforts. There is a menacing darkness and sense of unease which runs throughout the record and makes for an unnerving-but spectacular- listen. Haunting, electrifying and still unpredictable, MANES will never be boring.

Manes – Slow Motion Death Sequence

25

ARSISVisitant

If you read my November Roundup from last month you might remember me harking on about my love for tech death veterans ARSIS. New album Visitant takes a couple of spins to really sink in but after their classic albums A Celebration of Guilt and We Are The Nightmare, this album has a lot to live up to. Thankfully the band haven’t lost any of their momentum and this record is as fast and ferocious as ever. The tech death legends have returned and will show the young un’s exactly how it’s done!

Roundup – November 2018

24

DISTORTED HARMONYA Way Out

Israeli prog metallers DISTORTED HARMONY already had the hard task of writing an album to rival their last release Chain Reaction, without  adding two new members to the dynamic as well! A Way Out felt like a long time coming but it’s been worth the wait. The album would have ranked higher if the chemistry of the music was flawless, in my eyes Chain Reaction was perfection so perhaps I’m being too harsh. I adore the melodic intensity DISTORTED HARMONY achieve and their technical flourishes. This band are still too unknown, this needs to change next year.

Distorted Harmony – A Way Out

23

SICKONESFind Energy

When I witnessed this brilliant hardcore punk band live earlier in the year, I was completely blown away; their unforgettable performance, the messages in their music and their sense of fun were ridiculously addictive and incredibly unique. SICKONES are a truly special beast and this year saw the release of their new EP Find Energy, which is also sadly the last record they will release with frontman Ben Curd now he has left the band. Despite some serious song topics, SICKONES ooze such a sense of fun and optimism and I hope that remains. You can read more of my words about this magnificent band in the links below.

Roundup – June 2018

Cancer Bats/SickOnes/Walk In Coma

22

GOOD TIGERWe Will All Be Gone

Released way, way back at the beginning of February, alternative metal supergroup GOOD TIGER released the beautiful We Will All Be Gone and it’s just as exciting now listening to it as it was on first listen. The post-hardcore elements and the stunning vocals of Elliot Coleman make We Will All Be Gone a glorious piece of art. The irresistible melodies and sun-kissed vibes never fail to warm the soul.

Good Tiger – We Will All Be Gone

21

TEMPLES ON MARSSelf-titled

This album has been a grower on me this year. When I reviewed TEMPLES ON MARS’ self-titled album back in April I enjoyed it but could never have predicted how much I’d end up loving it. Their progressive rock is catchy, intelligent and mature and their songs are incredibly majestic. I enjoy the creativity of the album and the spacey vibes which result in a quite a few epic moments throughout the record. Radio friendly, riffy and catchy this is an album you’re safe to play to your normie friends and enjoy as well.

Temples On Mars – Self titled

Svalbard – It’s Hard To Have Hope

Label: Holy Roar Records. Release date: 25 May 2018.

The Bristolian quartet SVALBARD are proving to be a gem in the British metal scene. It’s Hard To Have Hope, the band’s second album is sure to propel the band further in high esteem. A band who do not shy away from tough topics, it would be easy to fall in the trap of focussing on the song titles and lyrical content, but the band’s music is just as hard-hitting. So much aggression AND passion has been poured into this album, I genuinely think it’s going to blow everyone away.

Starting with a topic most of our generation can unfortunately relate to, Unpaid Intern is as angry and aggressive you feel when you’re confronted with the pessimistic job prospects of today. What I find exciting about SVALBARD is their ability to avoid being pigeonholed. Hardcore is present, as well as post-rock riffs and black metal musings…and that’s just the beginning. I think this diversity hopefully predicts the longevity and accessibility of the band, as they will comfortably flow from one scene to another and it’s sometimes the crossover bands who achieve the most awesome things. Unpaid Intern is a perfect example of what SVALBARD are all about.

The dual vocals of guitarists Serena Cherry and Liam Phelan have a nostalgic KYLESA feel about them. I’ve always thought Cherry sounds a cross between Laura Pleasants and WALL OF JERICHO’s Candace Kucsulain. One of the most unforgiving female vocalists around, Cherry often steals the show on this record with her screams and hushed vocals. The latter can be heard at the beginning and end of second track, Revenge Porn. If the subject matter wasn’t so serious I would dare to call this song beautiful. A disgusting yet current topic, this song is complimented by the equally damning approach the band take with their delivery. A black metal influence is strong here, with its soundscapes and hectic drumming. Comparisons to OATHBREAKER could easily be made here but you can understand why label mates MØL will be joining SVALBARD as support for a few of their forthcoming shows, as they both have that glorious post-black metal sound.

Feminazi?! continues the black metal feeling with the drums and riffs sounding like WINTERFYLLETH and ENSLAVED. It is quite spectacular and once the middle eight kicks in you will be well and truly under SVALBARD’s spell. After two strong opening songs, this track keeps up the pace and gives It’s Hard To Have Hope a further, darker edge. Things slow down a notch with the opening of Pro-Life?!; Cherry sounds like she is channelling her inner MYRKUR, but things accelerate again in the usual black/post metal manner. The laidback moments shine and emphasise the heavier parts.

Next track For The Sake Of The Breed is one of the album’s highlights for sure. It rages HARD. It charges, drops, crashes and has the most brilliant pacing, bringing back those KYLESA vibes again. Things take more of a post-hardcore turn with How Do We Stop It? There is something about this song that feels different to the others. There’s less urgency but the emotions feel deeper, giving the track a heightened aura of importance. Similar can be said for Try Not To Die Until You’re Dead; the pace and delivery is modest and eerily mesmerising, but bursts of determination crash through with triumphant riffs and passionate vocals. This could be a dark horse to be fan favourite.

The album finale Iorek is an entirely different beast. It is an instrumental wonder, taking influence from post-rock and even indie, it provides light to the dark intensity of the record. The bright riffs create shimmering soundscapes and shine hope on the darkness. It provides a stunning conclusion to an incredible album. The organic production of It’s Hard To Have Hope ensures the gritty tunes retain their rawness. Beautifully constructed and executed, SVALBARD have potentially made a modern classic. The British underground scene is bursting with potential and SVALBARD are worming their way to be the cream of the crop.