Roundup – September 2019

Looking back at the hottest albums and singles of the month.

August might have been a mad month for mainstream metal releases but September has certainly seen its fair share of mammoth albums from the underground. This roundup sees the staple Top 3 releases of the month and then a look at September’s singles, of which there have been some huge releases! But to start things off I introduce my discovery of the month. If you stick around long enough you can dip into a highlight from the archive. See you in October!


 

Metalmance’s Discovery of the Month

IVY CROWN

I have to confess, Danish metalcore troupe have been on my radar for a little while now but after last month’s single Our Worst Days and the fact their debut album is out in October, I’ve been giddier about IVY CROWN this month! Previous singles Run and Lonesome and Cold (which features Kim Song Sternkopf from MØL) have been promising good things from IVY CROWN. Newest single Our Worst Days has an infectious sense of mischief and fun, but underneath each track is a dark undertone which makes this all-female group even more intriguing. Gaining momentum in the Danish scene, it won’t be long before IVY CROWN make their mark in the UK. With the forthcoming album being produced by Chris Kreutzfeldt (CABAL), vocal production by Mirza Radonjica-Bang (SIAMESE) and guest appearences from the Danish talent of Sternkopf and GHOST IRIS’ Jesper Gün, you can get a sense of what a big deal the women are becoming in their homeland. You’ll be silly not to check them out! 


 

Metalmance’s Top 3 Releases of September

This month has been hard to rank my Top 3. A special mention must go out to 65DAYSOFSTATIC and their amazing new release, replicr. This band always surpass themselves yet remain humble and create outstanding soundscapes. However, this month has seen some monstrous albums and here are the best three…

1

CAR BOMBMordial. Release date: 27 September 2019.

After releasing the singles Dissect Yourself and Scattered Sprites, I knew I was going to love this new CAR BOMB release. However, I had no idea how much Mordial was going to blow me away. It’s felt like a long wait since 2016’s breath taking album Meta, but the growth by CAR BOMB since that album is bewildering. I have seen a lot of mixed responses about Michael Dafferner’s clean vocals on some of the songs but for me, it adds a surreal element to their music, making them sound like a mathcore DEFTONES. Meta was always going to be impossible to top, and thankfully CAR BOMB haven’t given us more of the same with Mordial. Yes, their distinct mathy riffs are there, yes the songs are insane, but there is now so much depth to their textures and dynamic it is staggering. Second track Fade Out even has a pang of indie and shoegaze underneath the brutality and it makes for an interesting listen. CAR BOMB are still a band who are evolving after almost two decades in the game, and that is terrifyingly good.

 

2

BAESTVenenum. Release date: 13 September 2019.

If like me, you believe BLOODBATH should have called it a day after The Fathomless Mastery, Danish death metallers BAEST could easily fill the death metal void in your life. After last year’s incredible Danse Macabre, BAEST have stepped the menace up tenfold with Venenum. Each track drips with venom and malice. Reaping from old school death metal influcnces, the band conjure up filthy riffs and hellish growls. Main singles Vitriol Lament, Gula and As Above So Below do standout, but album highlights come in the shape of Empty Throne and Sodomize with their beastly grooves and violent lyrics. Causing a stir in the European scene after huge tours supporting the likes of DECAPITATED and next month ABORTED and ENTOMBED A.D., the band are constantly on the up. For the love of metal, listen to BAEST.

 

3

GODEATERAll Flesh Is Grass. Release date: 27 September 2019

GODEATER’s debut album All Flesh Is Grass is everything I wanted the new SHOKRAN album to be. The Glaswegians have nailed technical death metal with oriental passages thrown in but with an important environmental message too. Not willing to shy away from the planet’s climate issues, GODEATER are unleashing their views with their equally compelling music. The fast pace and brutality of their songs is mightily impressive for a new band, but the atmosphere they conjure would be the envy of bands twice their age. Tracks like Salvation and Inertia Haze also boast ABIGAIL WILLIAMS-esque blackened brilliance. Unlike some of their UK Tech Metal scene contemporaries, GODEATER write ridiculously technical songs, but with enough heart and substance to actually keep you interested. If the band have achieved this masterpiece with their debut album and so few shows under their belts, imagine what GODEATER will be capable of with album number two.


 

September Singles

It’s mad to think we’re still promised so many awesome albums before the end of 2019. Some of the tracks below are singles from forthcoming albums and they are a sign of the quality to come. If metal keeps up like this, then we’re in for a blistering end of year. Behold my top singles from September!

SCHAMMASCHRays Like Razors

It’s been a while since Switzerland’s black metal elite SCHAMMASCH have graced us with their infectious misery. Rays Like Razors hints at a progression in sound for the band. The dark atmosphere and intense black metal is still there, but the crisper production and polished madness somehow makes the band sound bolder and even more frightening. The mature sound on show here pushes the envelope of black metal. SCHAMMASCH have always been atmospheric but the tone here is absolutely suffocating with an edge of the progressive. By the end of the track you feel like you haven’t received the full blow of what the band is promising, but this hopefully means the band will unveil all that they have up their morbid sleeves on the full length.

 

END OF DAZEReach Out

Who said metalcore was dead? Harking back to the sound of the late noughties, these young Britons are channelling MOTIONLESS IN WHITE, ATREYU and ASKING ALEXANDRIA and other bands of that ilk, but with more heart and less make-up. Hailing from Weymouth, END OF DAZE is threatening to bring British metalcore back to glory. Even though their sound isn’t anything ground-breaking, Reach Out included, there is something so pure and brilliant about what they play, you can enjoy the music exactly for what it is – good, honest metalcore. The metal scene is so saturated with bands searching for likes and followers, if a band is sincere and write enjoyable songs then I’m all for it!

 

BLACK CROWN INITIATEYears In Frigid Light

You may remember BLACK CROWN INITIATE’s last album Selves We Cannot Forgive made it to the top spot in my 2016 Album of the Year list. So it goes without saying their forthcoming album is one of my most eagerly anticipated releases of the year. They finally released the first track Years In Frigid Light this month and I’m having mixed feelings about it. The vocals are too high in the mix and it takes a long while for the song to really get going, but the dissonant air is spectacular. Once again the clean vocals raise the track to new heights, but the impact is too late and underwhelming. After a three year wait, the song unfortunately doesn’t cut it for me.

 

KILL THE KONGInterstellar

Yet to make a mark on the British scene, Swedish metalcore outfit KILL THE KONG have been on my radar for a few years now and have been featured in my blog a few times. New song Interstellar sees the band further remove themselves from their dual-percussion element (thankfully, as there’s only so many tribal rhythms you can include before it starts to sound repetitive) and deeper into metalcore territory.  The energy is still infectious and it sounds like KILL THE KONG are finally hitting their stride. Bold, heavy and energetic, the Swedes should really start to gain more attention now. They’ve proved they have the staying power and ability to evolve, they just need to continue working hard and hone their sound to becoming something unstoppable. 

 

ABIGAIL WILLIAMSI Will Depart

ABIGAIL WILLIAMS mastermind Ken Sorceron has been teasing new AW material for a while now but this track seemed to drop out of nowhere. I Will Depart is the opening track for forthcoming album Walk Beyond The Dark and it spells a new era for the American black metal band. This terrific track sees the band return to the blackened brilliance of their glory days, but with an older and wiser air to proceedings. The technicality remains and the atmosphere is colossal, but the writing is more focussed making for a brutal assault. If the remainder of the album is as mesmerising as this, then we’re in for a right ol’ black metal treat.

 

LOATHEGored

LOATHE were responsible for one of the darkest and most chilling albums of 2017, The Cold Sun. If single Gored is anything to go by, then LOATHE will surpass themselves with their darkest and most furious material to date. Crushingly heavy and suffocating, LOATHE are not here to soothe your soul or ears. The dense riffs would make CODE ORANGE proud but it is the intensity of the band which always shakes you to the core. Vocalist Kadeem France sounds like a man possessed on this single, his unnerving vocals leading the way for the hefty racous of riffage which ensues. Truly spectacular, LOATHE have been going from strength to strength but this release will be sure to see them rocket to the Kings of the heavy British scene.

 

LEPROUSAlleviate

It’s a good thing that I’m a huge fan of Eurovision otherwise I might never revisit LEPROUS again after their new single, Alleviate. I love the song and the band, but I find it amusing how they’ve evolved from being the backing band for IHSAHN and now LEPROUS seem to be the backing band for Einar Solberg. Even if the band are going down a pop route, they still make better pop music than the majority of chart artists. The subtle elements happening in the verses keep things interesting but it is the catchy folk pop chorus which will continue to pull in new fans. Read below for a snippet of my first post about LEPROUS from the Metalmance archive.


 

From the Archive

After the recent release of two singles from LEPROUS’ forthcoming album Pitfalls, I wondered if I could have predicted their prog pop direction… 

Band to watch: LEPROUS

Deliciously on the melodic end of the metal spectrum, LEPROUS’ beautiful melodies are made the more spine tingling thanks to the incredible vocal talent of Einar Solberg […] There’s no denying LEPROUS add their own twist to proceedings and really push themselves to the front of the melodic metal pack.”

Weekly Roundup #3

Kill the Kong – Colossus

Release date: 24 February 2017. Label: GAIN/SONY

Back in February we featured these beastly Swedes as a ‘band to watch’. With their unusual line-up of seven members including two vocalists and two percussionists, everything about KILL THE KONG feels like a two-pronged attack; a Two-Pronged Kong if you will. Now with second album Colossus almost ready to be unleashed, it’s time for you to sit up and pay attention.

“Why can’t you see I have multiple hearts beating?” is the first lyric uttered in the suitably titled opener Hearts Beat. Could this be a reference to the colossal beast of their namesake? Or the hearts of the multiple members of the group? Either way, the track gives a good indication of the straight-up metalcore this album channels compared to their self-titled 2016 debut. No quirky percussion is present in this tune, but despite the limited lyrics it still provides a killer hook and the hope that the band have honed their song writing skills for this release.

This hope is realised when second track Juggernaut (wolfpack) crashes into our consciousness. Just a few seconds into the song, it can be heard their ambition and production has doubled in size; a shiny, massive sound to match their colossal line-up. The KILL THE KONG energy is there in bucket loads as we finally hear their signature drumming style for the first time in Colossus. With a vibe akin to newer PARKWAY DRIVE, the shout-along chorus perfectly matches the metallic groove of the instrumentation. The song breaks way to a satisfying clean vocal melody; wearing their metalcore influences on their sleeve KILL THE KONG clearly gain inspiration from bands such as ARCHITECTS but add their own refreshing twist to proceedings.

Just when you think you can predict how the next track will sound, the band let loose in Nerve; a song with a more hardcore stance. The groove is still there but the delivery and aggression is channelled in a similar manner to newer COMEBACK KID. Nerve also features a decent bit of riffage which maintains their energetic pace. The dual vocals of Timo and Sebastian really pay off as it provides subtle shifts in dynamic to keep the listener on their toes.

Pitch Black is a curious beast in itself. With another cheeky change in style, the song is a tad more unpredictable than the others; with a sound not too dissimilar to the quirkier end of metalcore such as HE IS LEGEND and EVERY TIME I DIE, yet the chorus almost has a nu metal element to it. A very interesting track, Pitch Black might prove to be an unexpected fan favourite with its hint of chaos and unforgiving attitude.

Another nice, crunchy riff greets the listener at the start of The Antagonist before it erupts into metalcore galore. A mature and focused song, everything about this track is spot on – its approach, execution and feeling. Atmospherics lurk in the background of the verse before a killer chorus catapults the song to a new level. But before you can get comfortable with the familiarity of the safe metalcore, KILL THE KONG unleash more impressive percussion to keep things interesting and make the sound truly their own.

A Swedish influence breaks through in Close to the Bone. The beginning has a strong THE HAUNTED groove which evolves into a contemporary metallic crunch. The band once again demonstrate their chorus game is getting stronger but the song is over before you know it! However, things take another interesting turn with Map of Wounds; the verse sounds reminiscent of LACUNA COIL with its bassy undertones and dark melody, yet the chorus blows up into a thumping ruckus.

Burning in Water, Drowning in Flames has some good ideas yet doesn’t quite take off like the other tracks. But it does feature the most pulsing breakdown of the album. If this song was likened to another band, you could argue it has a similar approach as newer KILLSWITCH ENGAGE, the chorus especially. Hopefully the song will become a grower.

We’re back in business when we’re introduced to the addictive beats of Snake Eyes. A whirring, storming thumper, it energetically pumps along like a good ol’ SOILWORK ditty. The song keeps on giving with its relentless energy holding out before its exhale at the very end. Album finale The Hurt Stays continues this energy, with the gang vocals returning in abundance expelling passion and emotion until the descent to Colossus‘ conclusion.

While offering nothing particularly groundbreaking, KILL THE KONG remain memorable with their quirky grooves. There was always the danger two percussionists could become a gimmick but luckily the band avoid this through their mature song writing. The foundations are set for something truly colossal in the future, but will KILL THE KONG break free from the chains of the underground and make an impact in the mainstream?

 

Weekly Roundup #18

Band to watch: KILL THE KONG. In an oversaturated metalcore scene it takes something special for bands to stand out nowadays. KILL THE KONG offer an enticing package in the form of seven, yes, SEVEN members; two vocalists but it is the two percussionists which give the band from Sweden their unique sound. With an irresistible groove and chugging riffs, KILL THE KONG are hard to ignore and impossible not to enjoy. The hardcore screams in tracks such as Bring The Heat bring the energy, yet the melodic clean singing in songs such as Ignite, demonstrate the band’s ability to pen a catchy vocal hook. Newest single Ashes In The Wind is a straight-up metalcore banger, with obvious influence from bands such as PARKWAY DRIVE and FIVE FINGER DEATH PUNCH. There’s no denying listening to KILL THE KONG is an entertaining experience, and with the additional percussionist it adds an exciting dynamic to a style which is running out of ideas. If you’re looking for a fresh perspective then you could do worse than giving KILL THE KONG a listen.

 

Video to watch: GHOST IRIS. Last week these Danish metallers released the new video for single Save Yourself off their new album Blind World which was released today! The video is probably what any djent party in a limo would look like, along with dapper suits, champagne and sunglasses. The humour in the video is what makes it shine, but it is also backed up with a tune which is absolute killer. This isn’t djent by numbers, heck it probably shouldn’t even be classed as djent but there’s no denying the sound is there nestled amongst the catchy chorus and just downright good songwriting. With a single as good as this, don’t be surprised if the album is quality too.

 

In the stereo: VIPASSI. This year ain’t half been a treat with regard to instrumental, extreme progressive metal. We’ve already had an album from ALLUVIAL but January also saw the release of Sunyata by VIPASSI through Season of Mist. Who is VIPASSI you might be asking? Well, they are somewhat of a super group, comprising of members from bands such as A MILLION DEAD BIRDS LAUGHING and a little band called NE OBLIVISCARIS (you might have heard of them). Together they compose gloriously dark yet technical songs (what else would you expect) with album highlights including Benzaiten and the stunning closer Samsara. Black metal vibes run through the album at times, and Samsara is definitely on the darker end of progressive metal. The atmospheric wispy hints of vocals take the track to a dramatic level, making the song the perfect finale. With only seven tracks, Sunyata feels a bit like a tease, a bit like a punishing starter before a main course. Go on, indulge.

 

Band to rediscover: THE HOPE CONSPIRACY. Following on from last week’s trip down memory lane with the likes of EIGHTEEN VISIONS and THROWDOWN, another hardcore band we’ve been reminiscing about is THE HOPE CONSPIRACY. The album Death Knows Your Name released back in 2006 was a sickeningly good hardcore record with riffs as big as its production. A massive sound without losing any rawness, standout track Suicide Design is still an impressive slab of relentless hardcore energy. The driving riffs, the rumbling bass, the desperate shouts, all mount up to a killer track. Released on Deathwish Inc. you know you’re in for a mucky treat. Masters of no-nonsense heaviness, the band never officially broke up, so here’s to hoping THE HOPE CONSPIRACY remerge in the near future.

The Hope Conspiracy Bandcamp