Release date: 29 May 2020. Self-release.
Ipswich’s KILLERKORP have obviously been influenced by hailing from the land of CRADLE OF FILTH and EASTERN FRONT, as new single The End borrows some blackened elements from their neighbours. This is a welcome direction as debut EP PAIN was a myriad of styles, with no sense of which sound the band will throw themselves into. However, if KILLERKORP want to be taken seriously outside Suffolk, they will need to drop the ‘local band’ production and step it up so the mix matches their ideas.
The End shows a more succinct KILLERKORP, with menacing riffs amongst the apocalyptic drums and vocals, but the guitar solo interrupts the song too much, just as the vocals start escalating. KILLERKORP need to fine-tune their sound and ideas if they want to break into the wider scene, but the ideas are definitely there.
Release date: 19 April 2019. Self-release.
Suffolk – home of CRADLE OF FILTH, Aspalls and…ED SHEERAN, but now there is a new staple of the county. Ipswich heavy metallers KILLERKORP (or THE KILLER KORPORATION as they’re also affectionately known) have been tearing up the local scene since 2017 and are threatening to take the rest of the UK by storm with their debut EP, Pain.
The band don’t mess around on opener Nightstalker. With its fast pace and crushing groove, the band are clearly wearing their influences on their sleeve; imagine LAMB OF GOD with straight-up riffs and a hardcore attitude. The production is nothing to be admired but this just emphasises KILLERKORP’s potential as the song still slays. Frontman Benjamin Lyddiatt is clearly an asset to the band as his screams cut through with monstrous affect.
Survival of the Fittest is undoubtedly KILLERKORP flexing their love of black metal; with the muddy riffs, ferocious drumming and machine-gun pace, it’s a surprising track but one executed with aplomb. The blackened groove is akin to LEVIATHAN and is an absolute delight. The stomping riffs at the end give it a hardcore feel. Blackened hardcore? Yes please. Luckily the band deliver more blackened punky goods with third track Hysterics. With a distorted sound which just screams THE MISFITS in a crypt, KILLERKORP are providing utter filth with this track.
Things take a thrashy turn with Deadly Nightshade which would normally fill me with despair as this sound can come across as extremely amateurish and is what separates local bands from the wider world, but somehow KILLERKORP add their own twist to proceedings with their groovy stance and the impressive Lyddiatt.
To Be The Hunter is a bit of an unfocussed mess and could have been left off the EP but the menacing riff and chaotic yaps at the beginning show promise. Last track, Pain is anything but disappointing as it’s half a minute of delicious hardcore punk. Reading this sentence will probably take longer than listening to the whole of the song.
Pain, the EP as a whole, proves KILLERKORP are anything but another run-of-the-mill thrash band from East Anglia. Even though their sound is sometimes sprawled across genres, they are still creating something no one else is churning out in the region and that is very exciting. With a bit more experience under their belts and a bit more focus in their songwriting, hopefully by the next release we will hear more snippets of a distinct KILLERKORP sound. The components are there, the formula just needs fine-tuning.