I’m not shy to admit this is my favourite release of 2019 so far. wilt & blossom is a suitable title for an album featuring euphoric highs and devastating lows. This album moves me like a blackgaze album would, and CARTOGRAPHS use fragments of blackgaze in their crushing debut album. The Danes borrow from post-rock, experimental and ambient rock, black metal and folk, amongst others to create their own brand of atmospheric music – with dazzling effect.
wilt over time broods as the atmosphere gradually builds up to a CULT OF LUNA-esque passage. The turbulent moments also remind me of Origo-era BURST, so you can probably gauge how powerful CARTOGRAPH’s material can be. There is a post-hardcore edge to the vocals which gives the music such a heart-wrenching and intense dynamic – you can’t let go. ever scaling latches on with its delicate post-rock beginning, exuding the light atmosphere of the first rays of sunshine after a harsh winter. It continues on the rise before lapsing into MAYBESHEWILL-esque riffs; bewitching, captivating…beautiful.
You might remember I wrote about lead single peace was never mine to be found in my last Roundup, stating it as a “stunning example of what’s to come” and it’s reassuring to discover I’m not wrong. The brooding passages and modest intensity is utterly mesmerising. Wearing their ambient metal influences on their sleeve there is a vein of nostalgia running throughout this track and wilt & blossom as a whole, but there is a crisp freshness to CARTOGRAPH’s take on post-rock, threatening to reinvent the genre.
Charming acoustic notes draw you into through the garden gate before a raucous 10 minutes unfold. The climatic riffs are unforgettable, taking you to stratospheric highs before plunging to urgent depths. The pace and execution is perfect for a track of this epic length. When you think you’ve recovered, they hit you with THAT riff again and you collapse into your own despair. CARTOGRAPHS wouldn’t be as heart-wrenching without the raw vocals of Joachim Jensen, but each member is a pivotal component in the CARTOGRAPHS experience.
Second single more string than pearls is another breath-taking example of how the band gel all the textures and instruments into one flawless wall of resounding vehemence. Things calm down a tad with in teal and that irresistible acoustic guitar. Dramatic yet serene, this album is all about opposites clashing together to make something utterly spellbinding.
The song title blossom under leaves conjures the image of hope hiding until the opportune time. The gentle opening minute does reflect this before the optimism is hindered by some spectacular blackgaze. The track continues to climb then dive before it reaches a constant state of post-rock enlightenment, making it a stellar conclusion to such a stunning debut. Last year I raved on about how Danish metal was leading the race, but with the likes of GHOST IRIS and now CARTOGRAPHS releasing excellent albums this year, Denmark might just hold onto the crown for one more year.