Roundup – August 2019

The best discoveries, bands and albums of the past 31 days.

August has been an absolute mammoth of a month! With releases from metal heavyweights SLIPKNOT and TOOL there have also been stellar releases in the underground scene. Read below to find out my Top 3 releases of August! However, this roundup begins a little differently, featuring Metalmance’s discovery of the month, a band who I am very excited about!. Also in August’s roundup I feature a catch up of albums I’ve been enjoying on my blogging break. If you stick around for long enough you will also be reacquainted with a gem from the archive and a roundup of all my posts this month. Enjoy! See you next month.


 

Metalmance’s Discovery of the Month:

SOULSPLITTER

Almost ready to release their debut conceptual album Salutogenesis on 26th September, SOULSPLITTER have already secured a place at this year’s Euroblast as well as a European tour with fellow proggers HEAD WITH WINGS! The German band have been busy for the past three years writing the album and getting up to fifty other musicans and creative artists involved. The video for their first single Moloch (video above) which came out in May, features a hand painted animation by a group of Berlin artists and it is this sense of art and collaboration which really shines through the band’s ethic. Channelling the beautiful melodies of DISTORTED HARMONY and the madness of WITHOUT WAVES, there’s no telling which way SOULSPLITTER will turn. This month the band released new single The Maze and it’s a more melodic track similar to their future tour mates HEAD WITH WINGS and it hints at SOULSPLITTER becoming something special! If you’re lucky enough to check them out in Europe in the coming months, be prepared to be perplexed and blown away in equal measures!     


 

Metalmance’s Top 3 Releases of August

It was hard to pick my Top 3 releases of the month considering the quantity and quality of releases we’ve seen these past 31 days. Below are my favourite three releases of August as well as a special mention. Let me know what you’ve been enjoying this month in the comments!

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PIJN & CONJURER – Curse These Metal Hands. Release date: 16 August.

I am still totally enamoured with this brilliant EP by two of the country’s most promising bands! PIJN and CONJURER are both on Holy Roar’s terrific roster and Curse These Metal Hands is the result of a collaboration between the two for last year’s edition of ArcTangent festival. Luckily for us the bands have finally reworked and released the tracks into this musical masterpiece. Mixing the superb post-rock beauty of PIJN and the ferocious intensity of CONJURER, Curse These Metal Hands is a sublime concoction of the two and it has such a powerful nostalgic slant to proceedings I find it utterly irresistible. Every day I am inundated with songs and albums so it takes something extra special these days to really make an impression on me and stick. Curse These Metal Hands is one example and I will shout about how brilliant this material is for the years to come! Read my full review below for more thoughts.  

Pijn & Conjurer – Curse These Metal Hands Review

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UNPROCESSEED – Artificial Void. Release date: 9 August. 

After last year’s amazing album Covenant, I was eagerly anticipating UNPROCESSED’s Artificial Void and it’s totally smashed all expectations! This album is bolder, more confident and more creative. Artificial Void is bursting with ideas but the band are experienced enough to deliver these ideas into one coherent album and the result speaks for itself.  The guitar work is stellar as usual, ANIMALS AS LEADERS and MESHUGGAH fans will be pleased, but what is so astounding about the band is the guitars sound so explicitly UNRPOCESSED which is an incredible feat for such a young band in the tech scene. Track Fear is a superb example of how the band are successfully entwining their revolutionary djent, TESSERACT vibes and atmospherics of NORTHLANE into an album which sounds so fresh in the midst of a stale which is at the risk of becoming stale. Absolutely stunning.

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HUMANITY’S LAST BREATH – Abyssal. Release date: 2 August.

One of my most eagerly anticipated albums of 2019 finally dropped this month, Abyssal by the heaviest band on the planet, HUMANITY’S LAST BREATH. It’s not higher up my Top 3 list as I thought it would be because after the initial joy of the absurdly heavy elements, it gets a bit samey. The insane tones and heaviness created with the usual instruments of metal is something to be desired. Unforgiving and punishing from the first track Bursting Bowel of Tellus to the haunting last track Dödgud, HUMANITY’S LAST BREATH are reinventing heavy. Unfortunately the band are still yet to translate their godlike live presence into record format, and that is one thing Abyssal lacks. Once HUMANITY’S LAST BREATH work out how to how to do just that then they will truly be unstoppable. 

Special Mention

KILLSWITCH ENGAGE – Atonement. Release date: 16 August. 

I might upset a few people when I say the last two KILLSWITCH ENGAGE albums with Jesse Leach back on vocals left me uninspired and bored but it is such a joy to listen to Atonement and hear the band have their fire back! Having Howard Jones do a guest spot on The Signal Fire was a genius idea, but throughout the album you can hear the band’s passion shine through and no other band quite matches their inner strength and optimism. Even though they’re the kings of metalcore (I don’t care if you hate that word) they’ve always tried to push their sound and no two albums sound the same which is something I really admire. With Atonement KILLSWITCH ENGAGE have harder metalcore twangs going on as well as groovier moments (i.e. Know Your Enemy) but the huge choruses are still their best weapon and this album is unsurprisingly chock-full of them. I’m going to be bold and say Atonement is the best album with Leach since Alive Or Just Breathing and I couldn’t be more thrilled.             


 

Metalmance Catch Up

Below are three more albums I have been jamming while on my blogging break. Check them out and make sure you don’t miss out too!

MYRATH – Shehili. Release date: 3 May 2019.

Tunisian metal probably isn’t everyone’s cup of tea but if you know me you’ll know I have a soft spot for North African and oriental metal. I love the fresh dynamics bands like MYRATH can bring to the metal community and it is extremely reassuring to see Shehili be enjoyed by metal fans across the world. The traditional instruments sit seamlessly beside the modern metal components and it always makes for stunning results. Often likened to Israel’s ORPHANED LAND, you can understand the comparison because they’re not your typical Western metal. However, MYRATH are less dramatic in the political sense and they sound a lot more classic metal than the extreme tendencies of ORPHANED LAND.  I hope you like huge choruses because MYRATH have a lot of them. Songs like You’ve Lost Yourself and Born To Survive may be deemed as cheesy to some but you cannot deny the impact MYRATH have with their heavy riffs and melodic moments. If you’re looking for something a bit different then MYRATH might be for you!

OSIAH – Kingdom of Lies. Release date: 3 May 2019.

I absolutely adored 2016’s album Terror Firma by deathcore merchants OSIAH. This year’s album Kingdom of Lies is even more devastating and brutal which is a terrifying achievement. Unlike some of their contemporaries, OSIAH have a bit of substance to their work which keeps you interested. I can’t quite put my finger on it yet but there is just a bit more ‘soul’ to their savagery. I don’t mean Dusty Springfield soul, but there is something underneath the layers which make OSIAH sound alive and not another deathcore puppet in an oversaturated scene. Also, their talent is unparalleled and the brutality is overwhelming. Jamie Graham (ex-HEART OF A COWARD) makes an unexpected appearance on Awakening which gives the song an extra something. Overall it’s just a bloody brilliant face-ripping album by a British band who deserve a listen.

ANY GIVEN DAY – Overpower. Release date: 15 March 2019.

There is something safe and familiar about ANY GIVEN DAY and I really don’t mean that in a bad way. They sound like a mash-up between KILLSWITCH ENGAGE, SOILWORK and EVERGREY (a glorious mash-up if you ask me) with their beefy riffs and melodic choruses. They’re not reinventing the wheel at all but not every band has to be. ANY GIVEN DAY are just a band who are very good at writing straight-up enjoyable metal and catchy songs. Overpower is the band’s boldest effort to date and has seen them earn headline tours across Europe. Tracks like Taking Over Me are a real stomper whereas opener Start Over exposes the band’s penchant for groovy melodic goodness. Check it out if you want some wholesome metal!


 

From The Archive

This month saw German slamming death metal troupe STILLBIRTH release Back To The Stoned Age, a collection of the band’s songs reworked with their current line-up and it’s a fantastic beastly package. Last year I reviewed their album Annihilation of Mankind, here’s a extract of what I had to say…

STILLBIRTH – Annihilation of Mankind. Release date: 31 August 2018.

“Fifth album Annihilation of Mankind is an evident step up in terms of brutality and groove – no wonder Unique Leader Records want a piece of the forthcoming carnage. Like its namesake, this record absolutely annihilates the lugholes.”

Stillbirth – Annihilation of Mankind Review


 

DON’T MISS…

Metalmance review of KILLERKORP

Killerkorp – PAIN EP

Metalmance review of CHAOS REIGNS

Chaos Reigns – A Horrific Accident EP

Metalmance review of KRYSTHLA

Krysthla – Worldwide Negative

Metalmance review of STILLBIRTH

Stillbirth – Back To The Stoned Age

Stillbirth – Back To The Stoned Age

Label: Unique Leader Records. Release date: 30 August 2019.

German slamming death metal band STILLBIRTH have been riding on the wave of success after signing with Unique Leader Records last year for their album Annihilation Of Mankind. Playing shows with the other hottest slamming stalwarts around (i.e. VULVODYNIA and WITHIN DESTRUCTION) has only raised their profile even higher. Mad to know then, that STILLBIRTH have been alive since 1999 and releasing albums since 2002! Before embarking on their next chapter, us lucky sods will be treated to Back To The Stoned Age, a collection of reworked songs from their back catalogue. Spoiler alert: it’s as fresh and as brutal as ever.

Killing it with Riot Auffer Buehne 2.0, even with the new mix is sounds like the filthiest detritus. With their CREPITATION-esque deathgrind moments and best pig squeals, this is one hell of a revisit. The slamming groove continues with Open Up This Fucking Pit 2.0 which features its genius gunshot breakdown and punishing slam riffs. An absolutely disgusting assault of a song, it still crushes today.

Endgame Is Near 2.0 is STILLBIRTH at their most unforgiving. The plunging depths the band go to with this track is something else entirely. Much like Human Parasite 2.0 which is immediately penetrating with its slamming groove and death metal bluntness. The demonic vocals harvest your soul as the riffs pummel you into oblivion. Chainsaw VS Face 2.0 is equally as relentless making sure you are unable to stop for breath for all its 49 seconds.

Beating Pacifists 2.0 is a dark and menacing track. Its pace is stepped down a notch which adds to its creeping lust for maximum damage. Add a feature by EXTERMINATION DISMEMBERMENT’s Vladislav Martirosov and you’re onto a punishing winner. The focussed savagery continues with Global Error 2.0 which boasts one of the filthiest breakdowns of the whole album (if not their whole back catalogue). When will the brutality end?! Thankfully not during Individual Related 2.0 which features the disgusting vocals of CUMBEAST’s Iiro Rosonen. This short but sweet track is a rollercoaster throughout and is a must-listen for any aspiring extreme metal vocalists. Incredible stuff.

Legalize It is a phenomenal example of all which STILLBIRTH have to offer (and their love of the green stuff). Beastly blastbeats, whirring riffs and guttural growls are the rule of the land here. The band maintain the pace with Steuerklasse 1 Und Keiner Sagt Danke 2.0 and its hard, metallic edge. This is what slamming hardcore thrash would sound like and we want more! The ridiculous Addicted To Abortion 2.0 is also a morbid treat, bordering on grindcore delights. So much is happening in this track it’s one to keep crawling back to!

BENIGHTED fans rejoice! Julien Truchan lays down his obliterating vocals for On The Edge Of Society 2.0 and it’s an absolute beast! Hard, fast and nightmarish it sounds like it was composed from the very depths of the lagoon itself. By the time Brootal Party 2.0 rolls round your ears will be at risk of turning to sludge after the battering they’ve been receiving. The energy and build-up of this song is unforgettable. Mix in a guest feature by VULVODYNIA’s guitar god Kris Xenopoulos and you’ll soon be begging for more.

Back To The Stoned Age is one of those rare records when the reworkings really do bring the material up to scratch to match the current material. A band full of fun with a tongue in cheek attitude but serious riffage is a winner. Hopefully when they drop their new album next year they would have climbed the slam ranks and gained the recognition they deserve.

Stillbirth – Annihilation of Mankind

Label: Unique Leader Records. Release date: 31 August 2018.

It’s shaping up to be a stellar year for slamming death metal, with brutal releases already from the likes of WITHIN DESTRUCTION and INGESTED. Now it’s time for the return of Germany’s STILLBIRTH – and they’re taking no prisoners. Fifth album Annihilation of Mankind is an evident step up in terms of brutality and groove – no wonder Unique Leader Records want a piece of the forthcoming carnage. Like its namesake, this record absolutely annihilates the lugholes.

Opening track Fictional Entertainment would please Unique Leader fans with its similarities to other bands on its roster; the unforgiving brutality and technicality of EXOCRINE coupled with the bold grooves and stomping riffs of DYSCARNATE and not forgetting the outrageous slam elements of INGESTED. This is going to be a death metal fan’s idea of paradise. Enemy of the Enemy is when we really start receiving a colossal battering. The rumbling bass is akin to the impending doom of a hardcore beatdown, but we don’t get away so lightly. Instead we’re subjected to screeching guitars, slamming screams, ferocious drums and a glorious DECAPITATED Organic Hallucinosis-esque riotous middle.

Hypnotized By Lies is an impeccable slab of hardcore riffs, slamming beatdowns and just an outrageous violence to proceedings. INGESTED fans will approve. Psychological Manipulation begins as a straight-up death metal track but the extreme vocal expertise of Lukas Swiaczny comes to the fore. A disgustingly awesome track, it is utterly unforgiving.

Firstrike is a bit of a stomper. Not as obliterating as previous tracks, it feels like more of a slow death. A terrific groove kicks in after a minute and a half and pulls you in further. The technicality of this track shines amongst the dimness of the concept. Next track Highest of Malice features the incredible Duncan Bentley of VULVODYNIA, so you know it’s going to sound like the aural equivalent of getting your face ripped off. Bentley has guested on several tracks this year including songs by WITHIN DESTRUCTION and MIRE LORE, but this just tears a new one. Steam-rolling their way through the album, we’re halfway through Annihilation of Mankind already. Still alive? Stay with me.

Torturized says it on the tin. With an enticing beginning, it soon pulls you in for a hiding. This song is absolutely insane. The same could be said for the epic Plague of Warfare, with its intriguing electronics which gives this belter an extra edge. This is a no-nonsense track. It gets the job done of obliterating our senses and leaving us helpless in its wake. With spectacular deathcore screams, things take a menacing turn. This darker vibe continues with Torn Apart. Absolutely superb.

The ferocious drums and guitars in Nuclear Stench make it one of the most instantly punishing tracks on the album. However, when The Sky Turns Black kicks in you’ll immediately run for cover. A fantastically fast-paced tune, the old DECAPITATED influences are back again but STILLBIRTH ramps things up tenfold with their hardcore beats and irresistible grooves.

Annihilation of Mankind is brought to a crushing close with its title track. It is four minutes of all that STILLBIRTH have to offer. If you haven’t already gathered what I mean from reading this review, then what I mean is PURE, RELENTLESS BRUTALITY. Listen at your own peril.