August has been an absolute mammoth of a month! With releases from metal heavyweights SLIPKNOT and TOOL there have also been stellar releases in the underground scene. Read below to find out my Top 3 releases of August! However, this roundup begins a little differently, featuring Metalmance’s discovery of the month, a band who I am very excited about!. Also in August’s roundup I feature a catch up of albums I’ve been enjoying on my blogging break. If you stick around for long enough you will also be reacquainted with a gem from the archive and a roundup of all my posts this month. Enjoy! See you next month.
Metalmance’s Discovery of the Month:
Almost ready to release their debut conceptual album Salutogenesis on 26th September, SOULSPLITTER have already secured a place at this year’s Euroblast as well as a European tour with fellow proggers HEAD WITH WINGS! The German band have been busy for the past three years writing the album and getting up to fifty other musicans and creative artists involved. The video for their first single Moloch (video above) which came out in May, features a hand painted animation by a group of Berlin artists and it is this sense of art and collaboration which really shines through the band’s ethic. Channelling the beautiful melodies of DISTORTED HARMONY and the madness of WITHOUT WAVES, there’s no telling which way SOULSPLITTER will turn. This month the band released new single The Maze and it’s a more melodic track similar to their future tour mates HEAD WITH WINGS and it hints at SOULSPLITTER becoming something special! If you’re lucky enough to check them out in Europe in the coming months, be prepared to be perplexed and blown away in equal measures!
Metalmance’s Top 3 Releases of August
It was hard to pick my Top 3 releases of the month considering the quantity and quality of releases we’ve seen these past 31 days. Below are my favourite three releases of August as well as a special mention. Let me know what you’ve been enjoying this month in the comments!
PIJN & CONJURER – Curse These Metal Hands. Release date: 16 August.
I am still totally enamoured with this brilliant EP by two of the country’s most promising bands! PIJN and CONJURER are both on Holy Roar’s terrific roster and Curse These Metal Hands is the result of a collaboration between the two for last year’s edition of ArcTangent festival. Luckily for us the bands have finally reworked and released the tracks into this musical masterpiece. Mixing the superb post-rock beauty of PIJN and the ferocious intensity of CONJURER, Curse These Metal Hands is a sublime concoction of the two and it has such a powerful nostalgic slant to proceedings I find it utterly irresistible. Every day I am inundated with songs and albums so it takes something extra special these days to really make an impression on me and stick. Curse These Metal Hands is one example and I will shout about how brilliant this material is for the years to come! Read my full review below for more thoughts.
UNPROCESSEED – Artificial Void. Release date: 9 August.
After last year’s amazing album Covenant, I was eagerly anticipating UNPROCESSED’s Artificial Void and it’s totally smashed all expectations! This album is bolder, more confident and more creative. Artificial Void is bursting with ideas but the band are experienced enough to deliver these ideas into one coherent album and the result speaks for itself. The guitar work is stellar as usual, ANIMALS AS LEADERS and MESHUGGAH fans will be pleased, but what is so astounding about the band is the guitars sound so explicitly UNRPOCESSED which is an incredible feat for such a young band in the tech scene. Track Fear is a superb example of how the band are successfully entwining their revolutionary djent, TESSERACT vibes and atmospherics of NORTHLANE into an album which sounds so fresh in the midst of a stale which is at the risk of becoming stale. Absolutely stunning.
HUMANITY’S LAST BREATH – Abyssal. Release date: 2 August.
One of my most eagerly anticipated albums of 2019 finally dropped this month, Abyssal by the heaviest band on the planet, HUMANITY’S LAST BREATH. It’s not higher up my Top 3 list as I thought it would be because after the initial joy of the absurdly heavy elements, it gets a bit samey. The insane tones and heaviness created with the usual instruments of metal is something to be desired. Unforgiving and punishing from the first track Bursting Bowel of Tellus to the haunting last track Dödgud, HUMANITY’S LAST BREATH are reinventing heavy. Unfortunately the band are still yet to translate their godlike live presence into record format, and that is one thing Abyssal lacks. Once HUMANITY’S LAST BREATH work out how to how to do just that then they will truly be unstoppable.
KILLSWITCH ENGAGE – Atonement. Release date: 16 August.
I might upset a few people when I say the last two KILLSWITCH ENGAGE albums with Jesse Leach back on vocals left me uninspired and bored but it is such a joy to listen to Atonement and hear the band have their fire back! Having Howard Jones do a guest spot on The Signal Fire was a genius idea, but throughout the album you can hear the band’s passion shine through and no other band quite matches their inner strength and optimism. Even though they’re the kings of metalcore (I don’t care if you hate that word) they’ve always tried to push their sound and no two albums sound the same which is something I really admire. With Atonement KILLSWITCH ENGAGE have harder metalcore twangs going on as well as groovier moments (i.e. Know Your Enemy) but the huge choruses are still their best weapon and this album is unsurprisingly chock-full of them. I’m going to be bold and say Atonement is the best album with Leach since Alive Or Just Breathing and I couldn’t be more thrilled.
Metalmance Catch Up
Below are three more albums I have been jamming while on my blogging break. Check them out and make sure you don’t miss out too!
MYRATH – Shehili. Release date: 3 May 2019.
Tunisian metal probably isn’t everyone’s cup of tea but if you know me you’ll know I have a soft spot for North African and oriental metal. I love the fresh dynamics bands like MYRATH can bring to the metal community and it is extremely reassuring to see Shehili be enjoyed by metal fans across the world. The traditional instruments sit seamlessly beside the modern metal components and it always makes for stunning results. Often likened to Israel’s ORPHANED LAND, you can understand the comparison because they’re not your typical Western metal. However, MYRATH are less dramatic in the political sense and they sound a lot more classic metal than the extreme tendencies of ORPHANED LAND. I hope you like huge choruses because MYRATH have a lot of them. Songs like You’ve Lost Yourself and Born To Survive may be deemed as cheesy to some but you cannot deny the impact MYRATH have with their heavy riffs and melodic moments. If you’re looking for something a bit different then MYRATH might be for you!
OSIAH – Kingdom of Lies. Release date: 3 May 2019.
I absolutely adored 2016’s album Terror Firma by deathcore merchants OSIAH. This year’s album Kingdom of Lies is even more devastating and brutal which is a terrifying achievement. Unlike some of their contemporaries, OSIAH have a bit of substance to their work which keeps you interested. I can’t quite put my finger on it yet but there is just a bit more ‘soul’ to their savagery. I don’t mean Dusty Springfield soul, but there is something underneath the layers which make OSIAH sound alive and not another deathcore puppet in an oversaturated scene. Also, their talent is unparalleled and the brutality is overwhelming. Jamie Graham (ex-HEART OF A COWARD) makes an unexpected appearance on Awakening which gives the song an extra something. Overall it’s just a bloody brilliant face-ripping album by a British band who deserve a listen.
ANY GIVEN DAY – Overpower. Release date: 15 March 2019.
There is something safe and familiar about ANY GIVEN DAY and I really don’t mean that in a bad way. They sound like a mash-up between KILLSWITCH ENGAGE, SOILWORK and EVERGREY (a glorious mash-up if you ask me) with their beefy riffs and melodic choruses. They’re not reinventing the wheel at all but not every band has to be. ANY GIVEN DAY are just a band who are very good at writing straight-up enjoyable metal and catchy songs. Overpower is the band’s boldest effort to date and has seen them earn headline tours across Europe. Tracks like Taking Over Me are a real stomper whereas opener Start Over exposes the band’s penchant for groovy melodic goodness. Check it out if you want some wholesome metal!
From The Archive
This month saw German slamming death metal troupe STILLBIRTH release Back To The Stoned Age, a collection of the band’s songs reworked with their current line-up and it’s a fantastic beastly package. Last year I reviewed their album Annihilation of Mankind, here’s a extract of what I had to say…
STILLBIRTH – Annihilation of Mankind. Release date: 31 August 2018.
“Fifth album Annihilation of Mankind is an evident step up in terms of brutality and groove – no wonder Unique Leader Records want a piece of the forthcoming carnage. Like its namesake, this record absolutely annihilates the lugholes.”
Metalmance review of KILLERKORP
Metalmance review of CHAOS REIGNS
Metalmance review of KRYSTHLA
Metalmance review of STILLBIRTH