Metalmance’s Top Releases of 2018: 40 to 31

The first instalment of Metalmance’s Top 40 Releases of the 2018.

Welcome to my first instalment of my Top Releases of the 2018. I decided to not only have albums in the list, but EPs too, purely because of the wealth of fantastic ones released in the past 12 months. I will post 10 albums at a time, so without further ado enjoy my Top 40 to 31 albums of the year!

40

VEXESAncient Geometry

Released back in February, it feels like a long time since VEXES released their debut album Ancient Geometry yet it hasn’t lost any of its punch. The album has a shimmering nostalgic, progressive rock tinge, with a large helping of DEFTONES-esque melodies and ambiance. Featuring past members from a variety of established bands, VEXES bring all their skills and expertise together in this impressive record. Do not sleep on this album. My full review is linked below.

Vexes – Ancient Geometry

39

PSYCROPTICAs The Kingdom Drowns

Still a relatively new album as it was only released last month, As The Kingdom Drowns is the seventh album by Austrailian tech mertallers PSYCROPTIC and it’s making enormous waves in the tech death scene. It’s been a cracking year for tech death with the likes of BEYOND CREATION, INFERI and OSBCURA releasing albums, but for me, this effort by PSYCROPTIC surpasses those others as it’s the one I feel compelled to return to again. The instrumentation is absolutely stellar on this album, proving PSYCROPTIC are only getting better with each release. Cracking stuff.

38

WALK IN COMABlur The Line of Fiction and Hate

Here is the first of the EPs I have included in this year’s list. Southend’s WALK IN COMA are establishing themselves as one of Essex’s most promising metal acts with their EP, Blur The Line of Fiction and Hate. The band produce strong, in-your-face metal with good hooks and enough riffs to keep a PANTERA fan happy, but it is the second track Through Your Eyes which proves to be something very special indeed.

Walk In Coma – Blur The Line Of Fiction And Fate 

37

ORPHANED LANDUnsung Prophets & Dead Messiahs

Way back in January, Israeli progressive metallers ORPHANED LAND released the stunning Unsung Prophets & Dead Messiahs, and we need this album more than ever. The band have always flawlessly tied oriental elements in with their metal foundations and it always creates a spectacular result. Much like most of their back catalogue, ORPHANED LAND stresses the importance of equality, acceptance and love. The topics and themes feel a lot more urgent on this release, copying the state of current affairs in the world today. If you want an album where you feel you can unite with humanity, this would be it.

Orphaned Land – Unsung Prophets & Dead Messiahs 

36

TESSERACTSonder

When I reviewed Sonder, the fourth album by British prog metallers TESSERACT, back in April, I said it’s nowhere near the band’s best album but it could potentially worm its way into album of the year lists. Unfortunately the album didn’t stick with me throughout the remainder of the year, hence its low placing in my album list. Sonder has lots of good songs but it doesn’t maintain momentum or interest for me, compared to albums released by their contemporaries this year which have ranked higher. It’s still a strong album but I’m not convinced it will stand the test of time in the long run.

Tesseract – Sonder

35

WOLF KINGLoyal To The Soil

WOLF KING sound like what I always wanted TRAP THEM to become. They boast filthy, blackened hardcore along with strenuous screams that make their debut album Loyal to the Soil absolutely disgusting – in a good way! WOLF KING sound like the aural equivalent of a full day down the mines; dark, suffocating, dirty and forever plunging into the depths. An incredibly underrated debut release this year, I’m hoping Loyal to the Soil will eventually be celebrated as one of the finest slabs of blackened hardcore to date.

34

JESUS PIECEOnly Self

Speaking of filthy hardcore (oo-er!) Only Self is another breathtaking debut released this year…breathtaking in the winded kinda way. JESUS PIECE are rapidly emerging in the hardcore scene thanks to their CODE ORANGE-esque riffs and their 90s-inspired beats. This year has seen a lot of hype for JESUS PIECE’s contemporaries VEIN, but personally I think the former have the edge. The brutality, the ferocity and downright filth is both crushing and considerably impressive for a debut release. Expect big things. You can read more on what I have to say about Only Self in the link to the Roundup below.

Roundup – August 2018

33

MECHROMORPHSelf-titled EP

I couldn’t write my top 40 releases of the year list without including a quality band from my hometown. Slam metal band MECHROMORPH are the best metal band to burst out of Clacton since…well…ever. The band are proving their worth in the scene, having played shows all over the country and lighting a fire under other local bands. Their self-titled EP features old school sounds along with contemporary slam elements in the same vein as VULVODYNIA, INGESTED etc. Once the band have established their sound there is no reason they couldn’t also prove to be an unstoppable force.

Mechromorph – Self-titled EP

32

BLEEDING THROUGHLove Will Kill All

I always thought any new BLEEDING THROUGH album would be in my Top 10 albums of the year, so I’m surprised with myself for placing the band’s comeback album fairly low in the rankings. The metalcore darlings ended their career on a high with 2012’s The Great Fire and frontman Brandan Schieppati released a brilliant solo album as THE IRON SON in the meantime, but unfortunately Love Will Kill All didn’t quite live up to expectations compared to their peers ATREYU and THE AGONY SCENE who released better quality albums this year. Don’t get me wrong, this is still a solid album, and last track Life is positively stunning. Check out my BLEEDING THROUGH retrospective I wrote earlier in the year for my low-down on each of their albums.

METALMANCE RETROSPECTIVE: Bleeding Through

31

VALIS ABLAZEBoundless

This mesmerising debut album by Bristolians VALIS ABLAZE is the album I’ve moved around the most whilst compiling this Top 40 list. Boundless is an awesome progression from the band’s EP Insularity, but it’s an album I’ve struggled to return to throughout the year which is why I haven’t placed it higher. There are several particularly stunning tracks on here such as Lumen, Afterlight and Frequency which prove VALIS ABLAZE are one of the leading lights of British progressive metal. Choosing Paradox as their lead single might not have been the wisest choice as it doesn’t show the band at their most original, but bloody hell the potential is there for greater things.

Valis Ablaze – Boundless

Walk In Coma – Blur The Line Of Fiction And Fate

Release date: 22 June 2018. Self-release.

When you think of Essex you may think of fake tan, TOWIE and Olly Murs, but thankfully after what seems like a long dry spell of decent metal in the county, Essex’s music scene is picking up again and Southend’s WALK IN COMA are at the forefront of it. After 2015 EP Narrenturm, the band have slowly been gaining momentum and with Blur The Line Of Fiction And Fate there’s no reason why WALK IN COMA wouldn’t be able to launch themselves out of the county to wider audiences. This EP is one of those records you wish were a full length album. Six songs is generous for an EP but with music of this quality it just doesn’t seem enough! This of course is still a good thing as it spells the potential of this promising band.

The first thing that should be noted is the massive sound WALK IN COMA somehow behold. I can’t fathom how a small band from my home county can sound like America’s next big metal act. Opener Wings sounds like PANTERA with KILLSWITCH ENGAGE riffs and it absolutely slays. The chorus goes in a PARKWAY DRIVE direction but the synths add a cheeky dynamic to the wholesome metallic crunch. A fantastic start.

Now, I’ve been aware of second track Through Your Eyes since they dropped the banger on YouTube back in 2016. It’s felt like an age to finally hear it on an EP. But I’ll tell you one thing. Every time I listen to it, it still feels like the first time. When the groove kicks in you can’t help but bang your head. Alex Adlington is on full form here with his flawless screams and his spectacular cleans. The chorus is one of the most magical moments on the EP with its IN FLAMES vibe. Beware though, this song will remain in your head for days.

Third track Gospel sounds like the lovechild of MACHINE HEAD and SOILWORK. WALK IN COMA definitely have a knack of mixing the sound of Scandinavian melodic death metal with the boldness of the new wave of American heavy metal. It’s this confident, groovy style that could potentially attract new followers in their hundreds. The same could be said for Apathy, which can only be described as melodic nu metal overseen by DARK TRANQUILITY. There is quite a dark and brooding dynamic to this song which makes it slightly haunting.

If you like groovy riffs then you’re going to love Subhuman. All components of WALK IN COMA come to the fore here. But it is Serpents & Vermin which brings Blur The Line Of Fiction And Fate to a storming close. The symphonic elements are handled well to add an intensity which propels the band into SCAR SYMMETRY territory. This track is also hard as nails, with parts which remind me of TEXTURES. A blistering conclusion to an impressive EP, don’t be surprised if WALK IN COMA whip up something special for their debut album. These guys need to be on your radar.

Cancer Bats/SickOnes/Walk In Coma

Chinnerys, Southend. 12 June 2018.

If you’ve been following Metalmance then you’ll know how much I was looking forward to seeing CANCER BATS for the sixth time. I’ve been witnessing them tearing venues to shreds for 10 years now and tonight proves they are still as riotous as ever. The Chinnerys, Southend were hosts to the ‘BATS tonight and walking into the intimate room, you knew then you might not make it out alive. Or if you do, you’ll be covered in other people’s sweat and spit.

There was a decent amount of people to see the opening band, WALK IN COMA who are residents of the town. Rapidly gaining a reputation in Essex with their bold metal tunes, these Southend lads appeased their existing fans and gained new followers with their blistering set this evening. Playing songs from their first EP Narrenturm and their forthcoming EP Blur The Line Of Fiction And Fate, their sound is a cross between PANTERA and IN FLAMES so you can probably gauge how beastly WALK IN COMA sound live. It’s one thing having a big sound, you’ve also got to be able to pull it off live. Luckily the band are natural showmen, looking at ease and confident like they do this every day. Singer Alex Adlington is proving to be quite the beguiling frontman with his brilliant harsh vocals and cleans (the chorus of Through Your Eyes anyone?) and his stage presence was quite formidable. The new songs sounded absolutely massive, don’t be surprised if you find them playing a city near you soon.

I was not expecting what I was about to witness next. Hardcore punk trio SICKONES were an impressive sight to behold. Frontman Ben Curd can only be described as the Louie Spence of hardcore punk with his stupidly magnificent dance moves and jumps and spins. He has to be seen to be believed. Add this to their ridiculously charming hardcore punk and you’ll soon be dancing along and being converted. Playing songs from their EPs The Red Line and Find Energy, these Bristolians are truly something special. Explaining the messages behind each song, whether it be about feeling stuck in a rut, not conforming to lifestyle choices of the majority or if you feel stuck in a relationship, the band somehow make everyone in the room feel encouraged to be themselves and feel happy. It’s obvious SICKONES are all about the music and expression and it’s this sense of authenticity that is so appealing. Their music itself is hard, fast, fun and deceivingly catchy. The whole SICKONES package is a truly exceptional one. This is one band you absolutely HAVE to see live.

Standing at the barrier at a CANCER BATS gig is always going to be risky business and tonight was no different. As soon as Liam Cormier and co. graced the stage the bars of the barrier acted as a climbing frame for Southend’s eager hardcore kids. A few brave souls climbed up to the lighting rig and dived into the crowd from there causing absolute carnage. But I’m getting ahead of myself here. Tonight felt like the reunion of kindred spirits. The majority of people here have been witnessing CANCER BATS slay venues for a decade now and the Chinnerys is one venue they always return to. And you can understand why judging by the raucous reception they receive! The set was full of classics such as Hail Destroyer, Pneumonia Hawk, R.A.T.S, Scared To Death which sounded timeless amongst new tunes such as Gatekeeper and Bed Of Nails. Seeing Pray For Darkness and Sorceress live is still an essential gig experience, it’s incredible to see 10 years on these songs still get the same intense response at shows. CANCER BATS have still got it and it looks like they’re not slowing down yet. Once the riff of Sabotage was played, the security surrendered and let the chaos ensue. This will be a night Southend will remember for years to come.